Lola Montez (1955)

Lola Montez: Directed by Max Ophüls. With Martine Carol, Peter Ustinov, Anton Walbrook, Henri Guisol. When she is reduced to appearing in a circus, a notorious beauty thinks back on her past loves.

“The Girl Next Door isnu0026#39;t a riotous, laugh-out-loud comedy, à la American Pie or Road Trip (donu0026#39;t get me wrong, I think they are fine movies of a different genre), nor should it be treated as such when being reviewed. Itu0026#39;s much more mature, a sweet delight of a story that has you chuckling in amusement rather than rolling on the floor guffawing. For that, I would hardly even classify it in the generic u0026#39;comedyu0026#39; genre. I must admit, I did go in thinking that Iu0026#39;d spend two hours of my life enjoying yet another teen comedy, with an overdone plot, jokes bordering on distasteful, and up to the brim with gratuitous nudity. However, I came out with so much more.u003cbr/u003eu003cbr/u003eItu0026#39;s a classic tale of boy-meets-girl, boy falls in love with girl, boy lives happily ever after with girl. But what makes The Girl Next Door stand out from the rest is the superb cast. The casting director did a great job, placing Emile Hirsch opposite Elisha Cuthbert (both very talented young up-and-coming actors, I wish them well in luck, love and life). The pairu0026#39;s on-screen chemistry is undeniably electric. They portrayed Matthew and Danielleu0026#39;s relationship perfectly – loving and tender, yet fragile. This boy has fallen hopelessly in love for the first time, with the girl of his dreams. He has no past experience to draw on, heu0026#39;s terrified and confused, and he doesnu0026#39;t know what to do! As director Luke Greenfield pointed out in his commentary (Unrated DVD is a must-have for the hardcore fans), Emile and Elisha were chosen for their ability to act without dialogue, simply with their eyes. The subtleties in each expression brings so much more to the characters when watched closely in detail – every nervous bite of the lip, every slight mischievous arch in the eyebrow – you can tell exactly what theyu0026#39;re thinking. Now, Iu0026#39;ve seen my fair share of movies/TV shows, and Iu0026#39;d be confident in saying that I have not yet seen another actor/actress able to fill those roles as perfectly and effortlessly as Emile and Elisha did. They mustu0026#39;ve poured their hearts out into these characters, bringing them to life, their romance blossoming on-screen.u003cbr/u003eu003cbr/u003eAnd how can we ignore the superb supporting cast? Timothy Olyphant and Chris Marquetteu0026#39;s work on this movie was simply priceless. They provided the comedy and laughs, and it would be impossible to list all of their hilarious one-liners here. A lot of people claim that they made the movie, and though I disagree, I can sure see where theyu0026#39;re coming from.u003cbr/u003eu003cbr/u003eAnd the music, oh, the music. I came of no great surprise to me to learn that Luke Greenfield writes all his projects to music. It is this unique trait that embellishes the movie with such a vivid background. From Bowie u0026amp; Queenu0026#39;s u0026quot;Under Pressureu0026quot; opening montage to The Whou0026#39;s u0026quot;Baba Ou0026#39;Rileyu0026quot; closing credits, every single song is perfect for its scene, particularly David Grayu0026#39;s u0026quot;This Yearu0026#39;s Loveu0026quot;, mine and many otheru0026#39;s favourite song in the soundtrack. It kicks in at the exact right moment and manages to capture everything about this innocent, pure, high school romance. Also, Paul Haslinger (second to none at composing scores) wrote some of his best work for The Girl Next Door. Simply put (again, stealing lines from the director) Haslinger is deadly with a piano. Each score enhances and fills the moment with such tension and suspense, most notably u0026quot;Peeping Mattu0026quot;, when Matthew watches this gorgeous creature undressing through his window for the first time. There is an element of voyeurism and the excitement of the danger of being caught, as he watches the female movement and form unravelling with fascination and awe. He simply canu0026#39;t keep his eyes off her. Itu0026#39;s a scene that many of us can connect with.u003cbr/u003eu003cbr/u003eThis is indeed one of those movies that ought to be watched on a DVD, at night, alone, rather than on a huge screen in the cinema with others. Youu0026#39;ll find yourself leaving the end with a bittersweet aftertaste – will I find that special someone like Danielle? Do I need to be broken out of my shell? Is the juice worth the squeeze? Sure, it is an idealist fantasy, but itu0026#39;s also sweet, endearing and full of heart. Itu0026#39;s how an old-school love story ought be done. Just suspend your belief for two hours, and watch the magic happen. Hell, just go with it.”