Look Away (2018)
42KLook Away: Directed by Assaf Bernstein. With India Eisley, Jason Isaacs, Mira Sorvino, Penelope Mitchell. Maria, an alienated high-school student, has her life turned upside down when she switches places with her sinister mirror image.
“u0026#39;Look Awayu0026#39;su0026#39; main attraction was its premise, maybe not exactly original, the ideas themselves are not new really but it did sound like the film was trying to do something fresh with them. Nonetheless though, it actually sounded very creepy and interesting. Some of u0026#39;Look Awayu0026#39; sounded like it could be relatable too. The cover and advertising were attention-grabbing and looked creepy, almost nightmarish, and also like Jason Isaacs quite a lot as an actor.u003cbr/u003eu003cbr/u003eSeeing it, being encouraged by people saying it was for them better than expected and the above average rating as of now, u0026#39;Look Awayu0026#39; is not a great film and has flaws. Which actually happened to be the general consensus for the film hearing about it. Unfortunately these flaws are not large and a couple bring the film down rather significantly. As indicated though, there are quite a number of good things here in u0026#39;Look Awayu0026#39;. Would call it decent but uneven, which is actually not too bad a position to be in as a film and an acceptable distinction.u003cbr/u003eu003cbr/u003eBeginning with u0026#39;Look Awayu0026#39;su0026#39; good things, the acting is better than average. India Eisley carries the film intensely and poignantly and Isaacs is good support. So is Penelope Mitchell. Mira Sorvino is not the best used but she does a reasonable job too. The film shows a foreboding atmosphere and has a slickness to how itu0026#39;s shot. The use of sound is suitably ominous and not obvious or cheaply recorded.u003cbr/u003eu003cbr/u003eMost of the story compels. There is a genuine creepiness, with the mirror image being appropriately sinister. There also is some subtle tension and the melancholic tone to some parts is poignantly done. Found myself relating to the protagonist, none of it is intelligence insulting (generally the viewer is treated with relative respect) while there is an effort to not be predictable. The direction is more than competent.u003cbr/u003eu003cbr/u003eThere are issues though. The script can be quite weak and sounded underwritten. Some of the pace is a bit too slow and like trudging through mud in the scenes where there is not as much as going on as others, a bit of trimming might have helped.u003cbr/u003eu003cbr/u003eAm aware that Mark is not really a character one is meant to be like, one that one is meant to feel anger towards, but he never really grows in development and irritates throughout. Worst of all, as others have said, is the ending, which took ambiguity and unresolved questions to extremes and came over as confusing and unfinished.u003cbr/u003eu003cbr/u003eOverall, an uneven film but with a good deal to commend it. 6/10 Bethany Cox”