Ärger im Paradies (1932)

Ärger im Paradies: Directed by Ernst Lubitsch. With Miriam Hopkins, Kay Francis, Herbert Marshall, Charles Ruggles. A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.

“…and Ernst Lubitsch at his zenith. First things first: thank you to TCM for showing this recently. Of course I taped it, and of course Iu0026#39;ve practically worn the tape out by now, a month later.u003cbr/u003eu003cbr/u003ePoint #2: something is terribly wrong in Paradise if the peak era of his work, 29-33, remains in shadow today. Where are the VHS/DVD releases of these wonderful films? Nowhere that I can find them; hopefully the good folks at Turner will continue reviving the early sound Lubitsches. I waited 25 years to see this one again, and the wait was not in vain. Those 25 years put a bit of snow on my roof, but they also allowed me to drink in the ambrosia that is this film with a bit more appreciation than I had at 16. And what intoxicating ambrosia it is! Script, performances, directorial vision are all exquisite. The leads are inspired (oh, for a night with Kay Francis!); the supporting players, expertly calibrated farceurs. The utilization of music as ironic counterpoint to the visuals rivals Clair; the title song, sung over the opening credits, will make your heart race, and break, at the same time. And the look of the film (Art Deco, lovingly handrubbed to a burnished glow) will linger with you forever.u003cbr/u003eu003cbr/u003eAgain and again, Lubitsch pulls rabbits out of hats: scenes like the deepening of Herbert Marshall and Kay Francisu0026#39; relationship from business to pleasure u0026#39;seenu0026#39; in a clock face are emblematic of what makes this such a special film. Its story is slight, frothy, very nearly silly; yet Lubitschu0026#39;s knowing observation of small, telling details makes it magical. TROUBLE is not a timeless film, anchored as it is to a very specific time (Long Ago) and place (Far Away), which only deepens its charm and its seductive tugging on the audienceu0026#39;s sleeve. Iu0026#39;ve watched it three times in a night, and three times more the following night – not behavior I usually exhibit. But the siren call of its lively, civilized wit is such that Iu0026#39;m hitting u0026#39;rewindu0026#39; the moment it ends – I donu0026#39;t want to break the spell and return to reality just yet. As fertile as the preCode era is, as many classics as that golden period continues to yield up to those willing to discover them…TROUBLE IN PARADISE is the most glorious of them all.”