Mandingo (1975)

Mandingo: Directed by Richard Fleischer. With James Mason, Susan George, Perry King, Richard Ward. An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.

“This is an underrated, truly great film on the subject of slavery, sexual hypocrisy and the haunted, hothouse atmosphere of generations of white bad karma in the 19th century deep south. There are some whou0026#39;ve commented here who get it, others who donu0026#39;t want to get it because itu0026#39;s just too truthful and disturbing. These folks undoubtedly would prefer a TV sanitized version of slavery as in ROOTS. Itu0026#39;s a testament to Richard Fleischeru0026#39;s integrity that he was able to pull this off. All performances are excellent (well, thatu0026#39;s not strictly true as Ken Norton stumbles his way through but Fleischer, through his direction and editing gets an adequate job from him), including superb James Mason (one of his most brutally fearless roles as opposed to the nadir of his career as one IMDB commentator puts it). One of the things thatu0026#39;s most disturbing about the film is the depiction of the consequences of slavery, racism and hypocrisy on the white race, how it warps son, Perry Kingu0026#39;s natural tenderness towards Brenda Sykes into a horrifying insecure paranoia that evolves into aberrantly exaggerated jealousy and sexually motivated violence by the climax. And poor Susan Georgeu0026#39;s character is driven totally mad by her husband Kingu0026#39;s neglect and jealousy and the semingly contradictory tender erotic ministrations of slave, Norton. Mason reaps what he sows at the end and Kingu0026#39;s upbringing (and inferiority complex) is ultimately too much for him in the end, taking him down the same road to hellish oblivion.u003cbr/u003eu003cbr/u003eIf one wants to see a truly lurid, exploitive treatment of the same subject (although very entertaining also with a great cast — Warren Oates, Isela Vega, Yaphet Kotto, et.al.) one should look no further than MANDINGOu0026#39;s sequel, DRUM. However, MANDINGO is different. It does contain some lurid, super charged sexual images and shocking cruelty and violence — but Fleischeru0026#39;s treatment is matter-of-fact, in-your-face and ultimately totally unpretentious. It walks a tightrope but courageous director Fleischer never stumbles. The gritty, extremely realistic location and production design add to the disturbing ambience. Unflinching, beautifully shot (I saw this in the theater when it was released and at a rare revival screening in 2000) and undeserving of itu0026#39;s pariah reputation.”