Nosferatu: Phantom der Nacht (1979)

Nosferatu: Phantom der Nacht: Directed by Werner Herzog. With Klaus Kinski, Isabelle Adjani, Bruno Ganz, Roland Topor. Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror.

“Another classic collaboration of Werner Herzog and Klaus Kinski, Nosferatu is not just a remake of the F. W. Murnau silent classic, but an extension of it. Herzog not only develops the Stoker story more directly than the original did, but even reintroduces the original characters – Orlok becomes Dracula, and the Hutters become the Harkers. u003cbr/u003eu003cbr/u003eLike many of the films involving Herzog and Kinski, Nosferatu is a period piece and creates the context of its plot through beautiful cinematography and a relentless but unhasty pace, not through the script. ThoughKinski dominates the screen just as he always does in these collaborations, the performances of fellow greats Isabelle Adjani and Bruno Ganz are also worthy of mention. Ganzu0026#39;s Jonathan Harker is certainly the most sympathetic character in the film, and Adjaniu0026#39;s Lucy is beautiful, spooky, and just odd enough to fit the role perfectly.u003cbr/u003eu003cbr/u003eNosferatu is a retelling of the Dracula tale. Unlike its generally inferior competitors, Nosferatu – both the 1922 and 1979 versions – sticks very close to Bram Stokeru0026#39;s text – neither elaborating the focus on bloodsucking (obsessed upon by most American interpretations of Dracula), nor revising Jonathan Harker and Dr. Van Helsing as heroic characters, nor adding erotic or romantic elements to the depravity of the original concept. If you know what Stoker was about, you will thrill to the often forgotten aspects of Stokeru0026#39;s novel which are redeemed here – the plague rats, the gypsies, etc.u003cbr/u003eu003cbr/u003eKinkiu0026#39;s intensity allows him to become a perfect Dracula. He understands his role perfectly and never once slips out of u0026#39;the hunteru0026#39;. This is another very important aspect of the Stoker legend which has been sadly contorted by the popularization of the Dracula legend. Nosferatuu0026#39;s Count Dracula is not a charming eastern European gentleman with a quirky bloodsucking habit and a lovesick soul, he is a wily, terrifying, soulless, inhuman, obsessive, predator. And he has absolutely no concern for the affairs of Homo sapiens sapiens.u003cbr/u003eu003cbr/u003eThe film is mostly shot in Amsterdamu0026#39;s old city, which fits the mood of the film well. Other locations are in Germany, and Draculau0026#39;s castle, for once, is an actual castle – even the interior shots! The wonderfully eerie and disorienting Popul Vuh soundtrack compliments the typically Herzogian picture-perfect visuals.u003cbr/u003eu003cbr/u003eThis is a great film for those seeking an accessible introduction to film-as-art, and the legendary collaborations of Herzog and Kinski. It will likely annoy those who think of Dracula as a good looking romantic guy with a nasty habit, but is highly recommended for fans of Stokeru0026#39;s original work.u003cbr/u003eu003cbr/u003e.”