Stay (2018)

Stay: Directed by Hellene Alabi-Williams. With Hellene Alabi-Williams, Neils Williams, Sagirah Young, Anthony Brady. An American one-hit wonder finds love in a Nigerian gospel singer.

“There comes a time in a directoru0026#39;s career when he or she may face one of the seemingly impossible cinematic feats: to make the movie better than the book.u003cbr/u003eu003cbr/u003eDirector Baz Luhrmann accepted this challenge when he signed on to direct a new theatrical take of u0026quot;The Great Gatsby.u0026quot; F. Scott Fitzgeraldu0026#39;s novel is considered an American literary classic, a staple in high school English courses. To tamper with greatness could spell disaster for the film and disappoint fans. With this in mind, Luhrmann took the details that made the novel so successful and generously applied them to his film.u003cbr/u003eu003cbr/u003eThe result? Beautiful visuals, awkward editing and overblown symbolism.u003cbr/u003eu003cbr/u003eThe adaptation is narrated by Nick Carraway (Tobey Maguire), who recounts his adventures on Long Island to a doctor while at a sanatorium. Using word-for-word passages from the novel, Carraway describes his move to New York to try his hand in the bond business. There, he reconnects with his cousin, Daisy Buchanan (Carey Mulligan) and learns his next-door neighbor is none other than Jay Gatsby (Leonardo DiCaprio), the secretive millionaire known for his lavish parties and fantastical reputation. Little does Carraway know that Gatsby acts this way in hopes of winning back Daisyu0026#39;s love despite five years of separation and her marriage to another man.u003cbr/u003eu003cbr/u003eHoping to live up to its hype, the movie tries to be as fantastic and flawless as Gatsby himself. Servants open doors and move about the house like choreographed dancers. The grand landscapes of New York City and Gatsbyu0026#39;s estate look pristine. And the parties are a flapperu0026#39;s dream, with the vibrant outfits and music for dancing (although the occasional rap songs seemed a bit out of place).u003cbr/u003eu003cbr/u003eUnfortunately, the flawlessness stops with the visuals. Reminiscent of u0026quot;Moulin Rouge,u0026quot; Luhrmannu0026#39;s excessive cuts put cinematic emphasis in all the wrong places. The opening scenes fly by with exaggerated zooming and cutaways that disturb the flow of the script. Yet during the climactic standoff between Gatsby and Daisyu0026#39;s husband, the camera comes to a virtual standstill. Without the dialogue, it would appear no different from any other scene.u003cbr/u003eu003cbr/u003eThe film was also keen to draw on, and overemphasize, some of the novelu0026#39;s best traits. Carraway speaks Fitzgeraldu0026#39;s words like poetry, which fans of the book will appreciate. Yet seeing them additionally written on the screen is distracting and unnecessary, no matter how artistic the font is. Likewise, the symbolisms that added such value to the novel do not translate as well on screen. We can only see the green light so many times before its significance starts to fade. u003cbr/u003eu003cbr/u003eLuckily, the lead performances keep the plot comprehensible even when the camera is having a spaz attack. Few (if any) actors would be better suited as the suave, slightly obsessed Gatsby than DiCaprio. He and Maguire enliven the unlikely relationship between Gatsby and Carraway with their occasional comic relief and intimate conversations. Mulligan also gives a strong portrayal of Daisy and her struggle to choose between Gatsby and her husband.u003cbr/u003eu003cbr/u003eThere is potential for the film to be marginally close to par with the novel. Unfortunately, it gets lost in the pomp of Luhrmannu0026#39;s chaotic editing, which proves what literary purists have been saying all along: Only the book can put the u0026quot;greatu0026quot; in u0026quot;The Great Gatsby.u0026quot;u003cbr/u003eu003cbr/u003eStars: *** ½ (out of 5)u003cbr/u003eu003cbr/u003eRead more: http://www.973radionow.com”