Funny Girl (2018)

Funny Girl: Directed by Robert Delamere. With Sheridan Smith, Darius Campbell, Nigel Barber, Martin Callaghan. Funny Girl follows Brice, who rose from the Lower East Side of New York to become one of Broadway’s biggest stars under producer Florenz Ziegfield. While she was cheered onstage as a great comedian, offstage she faced a doomed relationship with the man she loved.

“Iu0026#39;ll be upfront right off the bat – Iu0026#39;ve never cared for Funny Girl, so if youu0026#39;re a super fan of the show, you can probably throw my opinion away immediately. I saw this to see if the show would be better with the new rewrite and if Sheridan Smith (an actress I like and respect) could bring something new to the material to shake off the ghost of Barbra Streisand.u003cbr/u003eu003cbr/u003eUnfortunately, it seems like neither the rewrite not Smith can do much to lift this show up. That beautiful score is still intact and just as tuneful and catchy as ever and I canu0026#39;t find a single flaw in that, but this production feels a little cheap, sluggish, and light on laughs.u003cbr/u003eu003cbr/u003eThe first act is better than the second with a mostly engaging backstage/star is born story involving vaudeville legend Fanny Brice who is a self-professed u0026quot;bagel on a plate of onion rolls.u0026quot; She makes her way from small theaters to the Ziegfeld Follies by her sheer talent and will of steel. Soon, sheu0026#39;s a star and attracts the attention of handsome Nicky Arnstein who sweeps her off her feet and leads her down a dark road of heartbreak and hardship.u003cbr/u003eu003cbr/u003eThough still a bit sluggish, the first act at least entertains, but the 2nd act is a complete slog with the main conflict being Nickyu0026#39;s gambling issues which doesnu0026#39;t make for very compelling theatre. Sheridan Smith tries her best, but while a capable singer, she tends to speak a lot of her notes before ending every song with a socko final note as if someone once told her to always end with a bang and theyu0026#39;d forgive you for slacking elsewhere. Some of her comedy lands, but she seems to be under the impression that making wacky faces is all you need to land a punchline and it hurts her more than it helps her. It might not even be her fault. This show was written and tailored to Streisandu0026#39;s unique talents and, without her, the show suffers.”