Tagebuch einer Nymphomanin (2008)

Tagebuch einer Nymphomanin: Directed by Christian Molina. With Belén Fabra, Leonardo Sbaraglia, Llum Barrera, Geraldine Chaplin. A chronicle of the life of a middle-class French girl’s sexual adventures, her then fall into prostitution, and her ultimate redemption.

“Basically attention for these kinds of themes, as the filmu0026#39;s name implies, in the default mode, directs the human mind to issues outside of the commonplace of cinema outside the frameworks.nBut when it comes to seeing the film, it goes back a bit. In the movie, you experience a new chapter in the synpathy while watching the film, regardless of the gender issue, which means the perception of a person who is not like us and experiences another kind of world.nPerhaps if we can extend this issue and deal with it in a larger circle, and this is the biggest issue in our small world, mutual understanding.nThe film deals with personal life that maybe like many of us humans and maybe not. Of course, addressing such a problem may seem, deceptive, and in the direction of the box, but with the average score taken from the audience in imdb, it can not be considered parallel to this issue.nValerieu0026#39;s unique experience in the face of a new situation, his marriage to Jaime, is well illustrated by the pessimist and skepticism that leads to disaster, and Valeria, with psychic tact, rushing hard days in a u0026quot;cinematicu0026quot; Itu0026#39;s the magic of cinema.nOf course, the film has a serious drawback, as it concludes at the end of the phase with that it closes the film in a certain characteristic of time, which means that its filmmakeru0026#39;s lack of initiative at the last stage .nIn general, you can get a good score on the film simply because of the type of subject selection and the start and duration of the movie.”