Dressed to Kill (1980)

Dressed to Kill: Directed by Brian De Palma. With Michael Caine, Angie Dickinson, Nancy Allen, Keith Gordon. A mysterious blonde woman kills one of a psychiatrist’s patients, and then goes after the high-class call girl who witnessed the murder.

“Alfred Hitchcocku0026#39;s Psycho may be one of the most influential movies ever-for a start it was at least partially responsible for the whole subgenre of u0026#39;slasheru0026#39; movies and the shower scene has inspired more homages than you can count. Brian De Palmau0026#39;s thriller Dressed To Kill is basically a semi remake of Psycho,right from the structure of itu0026#39;s story to itu0026#39;s villain right down to certain specific scenes. Itu0026#39;s also an absolutely stunning piece of audience manipulation and perhaps more importantly a cracking thriller. Watch this film knowing about the Psycho element and as long as you donu0026#39;t mind some graphic sex and violence you should have a whale of a time. In fact,to a modern audience it may very well be more effective than Psycho {and this is coming from a big Hitckcock fan}.u003cbr/u003eu003cbr/u003eDe Palmau0026#39;s intentions are apparent right from the beginning,which shows a naked woman, played by Angie Dickinson u0026#39;enjoying herselfu0026#39; in a shower,with huge close ups of her breasts {not Angie Dickinsonu0026#39;s though}. A man suddenly surprises and assaults her. Than we cut to Angie and her husband having loveless sex on a bed. This whole opening sequence has it all-the Psycho reference,the slight twisting of that reference,the dreamy eroticism,the sudden shock,the surprise. It shows De Palma,more than anything else,playing with his audience,manipulating them like puppets on strings. Yes,like Hitckcock,but sometimes going further. Basically,if you like this opening sequence,you will enjoy the rest of the film.u003cbr/u003eu003cbr/u003eWhile there definitely IS a plot {quite a familiar one,but you should know this by now},it is Dressed To Killu0026#39;s set pieces that stand out,that show De Palmau0026#39;s brilliance. Thereu0026#39;s a dreamlike and subtly erotic sequence in an art gallery where Dickinson is picked up by a stranger,an incredible murder in a lift which is shocking without showing THAT much blood,a thrilling chase in an underground train station where the heroine is pursued not just by the killer but for a while by a gang of youths,a very scary ending about which I wonu0026#39;t go into {except that it features another shower scene!}but where the tension is ramped up to an incredible degree. Here,De Palma is BETTER than Hitchcock.u003cbr/u003eu003cbr/u003eAlthough the best scenes are those without dialogue,where De Palma just lets Pino Donnaggiou0026#39;s lush,darkly beautiful score take over the sound,there is quite a bit of fun to be had in the often deliberately humorous dialogue,and the really rather cute relationship between nerdy Keith Gordon and tough as nails Nancy Allen,who make a great team. The identity of the killer is not exactly hard to spot,perhaps more work could have been done here,but going by the cheeky attitude of the film in general this may have been intentional. u003cbr/u003eu003cbr/u003eWhen Dressed To Kill originally came out it was heavily criticised for being misogynist,especially with the first third of the film {just in case you HAVENu0026#39;T seen Psycho,I wonu0026#39;t go into detail}. Iu0026#39;ve always believed that this part of the film is about the possible dangers of indulging oneu0026#39;s fantasies. De Palma is NOT a misogynist anyway really,think of the many memorable heroines of his films. Even if you disagree, see Dressed to Kill to see an oft criticised but occasionally brilliant director at the height of his powers.”