Die Valachi-Papiere (1972)
15KDie Valachi-Papiere: Directed by Terence Young. With Charles Bronson, Lino Ventura, Jill Ireland, Walter Chiari. Gangster Joe Valachi is a marked man in the same joint where mob boss Don Vito Genovese is imprisoned and he’s forced to co-operate with the DA in exchange for protection.
“I give this a 7 stars because it was made the same year as Godfather I, so it didnu0026#39;t benefit from all the film-industry wisdom that followed that production. Rather, this is a character study of one mafioso, which is a separate issue from the operatic, all-systems-GO no-holds-barred approach Coppola was able to employ in The Godfather. itu0026#39;s a smaller film, and should be compared to, say, Mobsters (1991), which deals with the same period and some of the same characters as V.P. Charles Bronsonu0026#39;s Valachi is adequate. Heu0026#39;s a workaday, uneducated, down- home mob guy, and Bronson plays him as if he were Polish, with a job that he goes to every day, where everyone talks Italian. Because it is through his eyes that we see his world, some of the other characters become more vivid, e.g., Joseph Wiseman as Salvatore Maranzano. When I compare the casting of the incomparable Joseph Wiseman in this role as opposed to, say, Michael Gambon in the same role in Mobsters, or Anthony Quinn as an equally old-school rival in the same film, I wonder: None of these actors are Italian -American or even simply Italian; why do some of them work, and the others donu0026#39;t? Granted that Wiseman, Quinn and Gambon are all consummate professionals and true craftsmen as actors, if anyone mentions Salvatore Maranzano and the Castellammarese gang war of 1929, the face that will come to my mind is that of Joseph Wiseman. He and Charles Bronson make this film worth seeing.”
