Skull: The Mask (2020)

Skull: The Mask: Directed by Armando Fonseca, Kapel Furman. With Tristan Aronovich, David Wendefilm, Ivo Müller, Guta Ruiz. The feature film is an action-packed horror flick depicting a supernatural serial killer based on pre-Colombian mythology in a hunt for revenge in the metropolis of São Paulo.

“Upon the discovery of a strange mask, a detective investigating a separate case finds that her new assignment is to track down the missing mask leading to the discovery of a mystical serial killer haunting the mask carrying out a massacre across the city looking to complete an occult ritualu003cbr/u003eu003cbr/u003eThereu0026#39;s a lot to like with this one. Among the better features here is the rather fun backstory and mythology present in here for the titular mask, creating a fun universe that has the potential to really expand and explore itself based on whatu0026#39;s offered. Focusing on the occult beginnings here with the flashback showing the creation of the mask in a bizarre ritual that involves a human sacrifice, blood spilling onto the sacred mask that regenerates it, and some fun martial arts on display that showcase a rather intriguing backstory for the particular entity as well as starting the film off with an impressive sequence. The connections established here involving the historical origins and the apocalyptic consequences uncovered through this are quite enjoyable and set this up rather well. That also leads the film along until it starts dishing out an impressive and over-the-top series of splatter sequences for the kills during the masksu0026#39; rampage. The gooey nature of the kills is impressive enough in concept here featuring head smashing, guts being cut out and removed, limbs being torn off, and face slicing among much more carried out throughout the film. The scene showing the skull coming to life and attacking the host to possess him throughout the rest of the film is quite creepy and manages to generate some suspense of the object stalking them throughout the house before, while the massacre at the nightclub is a spectacular highlight showing the carnage taking place in full view of others without anyone able to stop him. Armed with an imposing look, an impressive design, and fun practical effects, these elements are enough to hold the film up over its flaws. There isnu0026#39;t much to dislike here but it does have a few minor issues. The main problem centers around the strangely unnecessary and ridiculously protracted investigation by the officer looking into the disappearance of the kids. Granted, this does eventually lead to the main storyline but the beginning to this featuring the early goings-on of the crimes makes for a confusing attempt to build up much in the way of a backstory for her. This doesnu0026#39;t really endear us to her all that much based on the backstory we know about her and how surly and unruly she is, while the lack of focus on the rampage at hand in favor of something else that doesnu0026#39;t get solved anyway makes for a rather uninvolved opening. The other issue to be had here is the rather unbelievable nature of some of the scenes here which take some of the realism away from the film. The way the investigation into the murder spree carries out where it tends to focus on an obvious connection between how the bodies were recovered makes it rather difficult to believe that any series of potential clues to their source is going to be wiped away based on the curious nature of their acquisition that doesnu0026#39;t mean anything. The daytime confrontations with the killer are highly comical and goofy, either appearing in front of others with no real reaction to whatu0026#39;s going on around them or slowed down to lend greater importance but instead being jarring and off-putting. These issues lower this one but not that much from its positives.u003cbr/u003eu003cbr/u003eRated Unrated/R: Extreme Graphic Violence, Graphic Language and Brief Nudity.”