Amadeus (1984)

Amadeus: Directed by Milos Forman. With F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice. The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart’s talent and claimed to have murdered him.

“At the tender age of 26, when I still thought no film was complete without a car chase and a big explosion, Amadeus had me hooked. I went to see it multiple times back in 1984 during its initial release, back when the theater was empty whenever it played and before it was nominated by the Academy.u003cbr/u003eu003cbr/u003eThis film is an unusual biography, and I often like to compare it with Ed Wood, since both Ed Wood and Salieri were men who gave everything they had to their respective crafts and came up short. Salieri, a contemporary of Mozart, has only one dream – to be a great composer. Predating the prosperity gospel by about two hundred years, Salieri mistakes obsessing with God over his own earthly desires with actual godliness, even being happy when his father – who objects to Salieriu0026#39;s musical interests – chokes to death and leaves Salieri free to pursue his musical dreams. He chalks this up to Godu0026#39;s will for his career. Problems begin when Salieri meets a twenty-something Mozart at the court of the Emperor in Vienna, where Salieri is the court composer. Mozart is everything Salieri is not – profane, forward, and a great composer. Salieri starts down the road to insanity as he realizes the childish Mozart has all of the gifts he ever wanted and has been denied. However, Salieri is not an outright failure as was Ed Wood. In many ways he is something worse than a ridiculous failure – he is mediocre, and worse yet, he knows it.u003cbr/u003eu003cbr/u003eSalieri,angry at God for honoring a profane ungrateful boy like Mozart while ignoring his own one desire to be a great composer, swears to destroy Mozart. The strange thing is, as long as Mozart is alive, Salieri is the honored composer, not Mozart, though this just seems to infuriate Salieri even more. Salieri seems to be the only person in Vienna who recognizes Mozartu0026#39;s talent. This just begs the question – why did it never occur to Salieri that being able to recognize something as valuable before anyone else does is a talent in and of itself? After all, in 1975 the second best thing to being Bill Gates would have been to have recognized his genius and invested heavily in his success. But I digress.u003cbr/u003eu003cbr/u003eThe cinematography and art direction on this film are outstanding. The visuals start out light and festive, matching Mozartu0026#39;s mood and prospects. As poverty, illness, and the guilt of his fatheru0026#39;s death close in on Mozart during the second half of the film, the mood and visuals become very dark to match what is happening in Mozartu0026#39;s own life. Highly recommended.”