The Master (2012)

The Master: Directed by Paul Thomas Anderson. With Joaquin Phoenix, Price Carson, Mike Howard, Sarah Shoshana David. A Naval veteran arrives home from war unsettled and uncertain of his future – until he is tantalized by the Cause and its charismatic leader.

“I came into The Master knowing almost nothing about it and, knowing (and caring) almost nothing about Scientology, it transpires that I may not have been able to take as much from it as someone going in fully informed and ready to be led by the director. I say this upfront because I have noticed that generally, criticism of this film tends to be met with a snobby dismissal of the individual who didnu0026#39;t u0026quot;get itu0026quot; because they werenu0026#39;t smart enough etc. This said, the film started well and it engaged me for well over the first half, building characters and exploring them in a patience rhythmic manner that mirrors the hypnotic delivery of Dodd himself. Sadly this build doesnu0026#39;t have a delivery to speak of and in the second half of the film it really did lose me.u003cbr/u003eu003cbr/u003eWhat else it lost was any direction and sense of momentum that it may have had up till that point. The story doesnu0026#39;t go anywhere and it takes its time doing it, meandering through similar ground and offering nothing to really justify the long running time. Some may chose to see this as people complaining about a lack of action etc (again, that snobby of assuming such comments must mean u0026quot;I need a car chaseu0026quot;) but this isnu0026#39;t it at all; the story-telling seems to fall way down a priority list and it is a real shame because so much else about the film is excellent.u003cbr/u003eu003cbr/u003eThe first thing that grabs you is visually how stunning the film is – and it is a factor that remains consistent across the whole film. The colors, the framing and the size of the images are alluring and engaging. I had not heard of Malaimare before seeing his name in the credits, but his work here is terrific. On top of these images we get great use of music that is like a bedding rather than being stuck on top. It is hard to describe but it works very well, spilling under scene after scene and giving the delivery an oddly engaging feel and tone. As everyone has already said, the film is carried with some very strong performances. Phoenix is really great, with ragged edges and internals on display. Hoffman is more patient but also prone to rage when questioned and he balances this well. Adams surprised me the most as I think I didnu0026#39;t expect her to be as good as she was. The three of them (but mostly the lead two) make the film much better by virtue of what they do – and it is just a shame that the story-telling isnu0026#39;t better for them.u003cbr/u003eu003cbr/u003eIndeed this is true for me of everything, because the film is so well made, looks so beautiful and is a great piece of crafting that it really is such a shame to be left cold by it and to feel it meandering without any momentum or reason. It is a great film and it deserves to be seen for what it does so very well, but in no way is it a good story – and it is this aspect that really lets it down.”