El mariscal del infierno (1974)
7KEl mariscal del infierno: Directed by León Klimovsky. With Paul Naschy, Norma Sebre, Guillermo Bredeston, Mariano Vidal Molina. An evil ruler uses witchcraft and evil spirits to keep his subjects in line, but the his reign of terror prompts the people to revolt.
“This misleadingly-titled film should not even really be classified as horror, despite the myriad diabolic invocations and torture scenes. It is a good-looking medieval epic with a plot which basically amalgamates Shakespeareu0026#39;s u0026quot;Macbethu0026quot; (spurned nobleman Paul Naschy being egged on by his ambitious wife to seize power from the current ruler) with the legendary exploits of Robin Hood (opposition to the tyrant being provided by a band of outlaws) – cue numerous athletic action scenes, and there is even a jousting tournament in an effort to catch their leader (who happens to be the tyrantu0026#39;s former ally) but, rather than hide his identity, he smiles defiantly at Naschyu0026#39;s wife before taking on her husband in mortal combat!! u003cbr/u003eu003cbr/u003eAs usual, the star also penned the script – attempting to lend sympathy to his character by making him gullible rather than truly evil (he is also shown feeling remorse and being, economically but effectively, haunted by his victims) though he still gets to lose an eye and, eventually, expires from a hail of arrows in clear imitation of Akira Kurosawau0026#39;s own definitive u0026quot;Macbethu0026quot; adaptation THRONE OF BLOOD (1957). Still, Klimovsky being no more than a journeyman director, the result is too often heavy-handed (if undeniably enjoyable) and, in any case, the countless references to the villainu0026#39;s lust for power as u0026quot;The Great Worku0026quot; is not a little silly (especially since he only sends for the man he himself dubs u0026quot;the worldu0026#39;s greatest sorcereru0026quot; to this end only after several other alchemists had failed – WTF?!). To add insult to injury, the latter is just another quack who even performs the u0026quot;Wizard of Ozu0026quot; routine of enlightening the hero through a dead manu0026#39;s skull (when, in reality, he is hiding behind some rocks nearby and talking through a primitive microphone)! Equally anachronistic is the fact that, while generally appropriately robust, the music score is marred by intermittent and completely incongruous electronic passages! u003cbr/u003eu003cbr/u003eWhile Naschyu0026#39;s u0026quot;Waldemar Daninskyu0026quot; Werewolf effort CURSE OF THE DEVIL (1973) similarly adopted a medieval setting (as did the opening scene of his best outing in that popular series i.e. THE CRAVING [1980]), THE DEVILu0026#39;S POSSESSED – whose original Spanish title translates to HELLu0026#39;S MARSHALL – was the first of a loose trilogy, to be followed by two the star directed himself (which he actually considered his own personal favorites and that I will be checking out in quick succession): INQUISITION (1976) and THE TRAVELER (1979).”
