Die zwei Gesichter des Januars (2014)

Die zwei Gesichter des Januars: Directed by Hossein Amini. With Oscar Isaac, Viggo Mortensen, Kirsten Dunst, Daisy Bevan. A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.

“A compelling throwback to the suspenseful thrillers of 60 years ago, Two Faces of January is as stylish a film as you will see from any decade since talkies began. Reminiscent of Hitchcock in his 1950u0026#39;s pomp, but without the melodrama, writer director Hossein Aminiu0026#39;s interpretation of Patricia Highsmithu0026#39;s novel is beautiful to look at. The European locations evoke an idealised period of foreign travel, yet the film has an underbelly that scrapes the surface of gritty realism in the way that Hitchcock did not. The result is an involving slow burn with flashes of action only when warranted. The heart of the film is the evolving relationship between its three stars, who quickly become tied together. No McGuffins here, only solid plotting and convincing events used effectively to advance the story. The central performances are compelling and highly accomplished. Oscar Isaac must now be on the verge of the A-list after following Llewyn Davis with his excellent turn here, and Kirsten Dunst steps out of the shadow of teen movies and blockbuster love interest with a beguiling performance in the role of Colette. But Mortensen is the emotional engine whose misfiring character, MacFarland, pushes the plot forward with stuttering steps. His performance should be considered a career best as he embraces all of MacFarlandu0026#39;s flaws and lays them bare for the audience to great emotional effect. After such an assured and beautifully realised performance behind the camera, there can be little doubt that Hossein Aminiu0026#39;s future is likely to be in the directoru0026#39;s chair, and his next project should be awaited with keen anticipation.”