Chicago – 12 Uhr Mitternacht (1953)

Chicago – 12 Uhr Mitternacht: Directed by John H. Auer. With Gig Young, Mala Powers, William Talman, Edward Arnold. Johnny Kelly, who plans on resigning from the police force and leaving his wife the next day, has a very eventful last night on duty.

“Chicago cop Johnny Kelly wants to run away, from his job with the police force, and from his perceived mundane marriage. Hoping to flee Chicago with his stripper girlfriend Angel Face, he keeps putting it off with bouts of cold feet. Then one night when Johnny is assigned a new partner, Angel finally grows tired of false hopes and promises, just as Johnny is tempted by the dark side to finally realise both their dreams, but other factors are heading their way…..u003cbr/u003eu003cbr/u003eDirected by John H. Auer and starring Gig Young as Kelly, City That Never Sleeps was brought to us out of the low budget Republic Pictures studio. Oddly fusing film-noir with fantastical elements makes for a most intriguing watch, yet itu0026#39;s very much a slog to get to a point where you feel your time has been worth it. But crucially it is worth the wait, lots of character strands all thread together to give us an exciting, and well executed climax, tho the fantastical finish point is something of a head scratcher to me personally. Itu0026#39;s a weird film in many ways, and one that probably needs repeat viewings to fully grasp {and appreciate} what the hell is going on with all these characters. The weird feel is emphasised by John L. Russellu0026#39;s {Psycho u0026amp; The Cabinet of Caligari} grimly lighted photography, who utilises the sparseness of the actual Chicago locations to great effect.u003cbr/u003eu003cbr/u003eKnown to be a favourite film of Martin Scorsese, City That Never Sleeps is actually a little better than itu0026#39;s B movie tagging. But it remains a film that one feels should have been much better. Itu0026#39;s alright to fuse more than a couple of genreu0026#39;s, but you have to make it work convincingly within the structure of the plot{s}, and realistically they only just manage to pull it off, courtesy of a fine, if weird, ending. 6/10 but it could go either way upon a further viewing.”