Skandalblatt (1952)

Skandalblatt: Directed by Phil Karlson. With Broderick Crawford, Donna Reed, John Derek, Rosemary DeCamp. The editor of an exploitation newspaper commits a murder and assigns his protégé to investigate hoping to divert attention away from himself.

“… because that was the point of Hollywood Boulevard, before it lost its focus.u003cbr/u003eu003cbr/u003eA little remembered Paramount drama directed by Robert Florey about a washed up but vain silent film star (John Halliday) who agrees to have his life story (much embellished) told in a series of scandal magazine articles, much to the chagrin of his daughter whom he hasnu0026#39;t seen in years.u003cbr/u003eu003cbr/u003eThe film starts promisingly, with many on location shots (some at interesting off kilter camera angles) of Hollywood, its studio sets, streets and famous nightclubs, providing a genuine feeling for old time Hollywood sure to bring some pleasure to a film buffu0026#39;s heart. Even more interestingly, the film is chock-full of many silent stars many of them largely out of commission but brought back for this project. Among them: Esther Ralston (still very attractive), Francis X. Bushman, Betty Compson, Roy Du0026#39;Arcy, Jack Mulhall and Mae Marsh. In addition, Gary Cooper can be seen sitting on a bar stool at the Trocadero.u003cbr/u003eu003cbr/u003eBut a film that initially appears to be about the cruelties of Hollywood in the manner in which the town turns its back on former stars soon loses focus as its story goes off in different directions. Far too much screen time is devoted to the romance between the washed up staru0026#39;s daughter (a pretty Marsha Hunt) and an overly eager screenwriter (Robert Cummings) who never stops spouting his obviously self adoring comments and trying to project u0026quot;charm.u0026quot; The young Cummings is a genuinely irksome presence in this film.u003cbr/u003eu003cbr/u003eIn the final analysis, Hollywood Boulevard is a curiosity with flashes of potential, its writing its letdown, but lovers of old time Hollywood will still get a kick out of the frequent flashes of the town as it appeared in 1936, as well as an interesting cast, including those frequent silent film star cameos.u003cbr/u003eu003cbr/u003eA prophetic irony: just minutes into this film Eleanore Whitney, a real actress dancer newly arrived in the film capital and playing herself here, is seen signing her name in cement, with cameras flashing and crowds cheering. A spokesperson says to the actress, u0026quot;And now, my dear, you have left your immortal mark in Hollywood.u0026quot; u0026quot;I wonder,u0026quot; Whitney says to herself.”