Victor/Victoria (1982)

Victor/Victoria: Directed by Blake Edwards. With Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren. A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

“u0026quot;Victor/Victoriau0026quot; was the film where Blake Edwards finally managed to deliver his valentine to his wife, Julie Andrews, and convince the public to join in. Maybe because of that, itu0026#39;s one of his most heartfelt movies, and the enormous love between the director and his star do as much to warm up this movie as the careful colour composition of Dick Bushu0026#39;s fantastic – and underrated – photography.u003cbr/u003eu003cbr/u003eThis is a film where everything works perfectly. The acting ranges from the impeccable (the leads) through the touching (Alex Karras) right to the truly sublime (Robert Preston and Lesley Ann-Warren). The musical numbers are lovingly staged and shot and, possibly because this is a pre-MTV film, we actually get to see dancers dancing, as opposed to machine-gun assemblies of body parts performing details of not necessarily connected movements. The directorial touch is assured, proficient but never showy: the many complicated set-ups are executed with elegance, economy – not a frivolous camera movement to be seen – and discretion. (The circular pan around Julie as she sings u0026quot;Crazy Worldu0026quot; is a lovely example of how camera movement can create emotion without drawing attention to itself.) The sets and costumes are lavish but, again, do not distract. The screenplay is witty, full of deft touches, and Edwards treats his rather daring (for 1982) theme without blinking, and with great lucidity. (The other drag film of the year was u0026quot;Tootsieu0026quot;, which stuck to the romance and stayed away from uncomfortable homosexual touches as much as it managed to.) The timing never falters. And the score is priceless.u003cbr/u003eu003cbr/u003eAll in all, a flawless entertainment, which, like the best movies from the studio systemu0026#39;s heyday of which u0026quot;Victor / Victoriau0026quot; is a proud and worthy descendant, rewards the attentive (and interested) viewer with far more substance – and style – than might appear at first. I do not have the space to analyse this film at the length it deserves; but I can recommend it, which I do wholeheartedly.”