Absentia (2011)

Absentia: Directed by Mike Flanagan. With Katie Parker, Courtney Bell, Dave Levine, Justin Gordon. A woman and her sister begin to link a mysterious tunnel to a series of disappearances, including that of her own husband.

“Summary: Mike Flanaganu0026#39;s first horror feature is an effective psychological thriller, packed with surprising moments, good performances and clever scares. 80/100 (B+)u003cbr/u003eu003cbr/u003eTriciau0026#39;s husband Daniel has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him dead in absentia. As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house. As she begins to link it to other mysterious disappearances, it becomes clear that Danielu0026#39;s presumed death might be anything but natural. The ancient force at work in the tunnel might have set its sights on Callie and Tricia… and Daniel might be suffering a fate far worse than death in its grasp. Absentia is a great psychological horror film that will leave you guessing about what was real and what was not. It is a very well done low-budget flick, superbly acted, original and sinister.u003cbr/u003eu003cbr/u003eAbsentia is a strangely original movie. I really liked all of the psychological aspects of it. Flanagan surprises us with a bunch of unexpected scares, and some relentless drama. Also, the acting was quite good. The film does not feel hampered by its extremely low budget ($75,000 US), all of the scares have quality. It is impressive how well this film is directed. The performances were great, and I cared about the characters. If you are a horror fan you should not miss this hidden gem. It is amazing what Flanagan can do with a micro-budget. In spite of a kinda boring musical score, I still loved Absentia. It is one of the most thought-provoking horror films I have seen, it deals with a very moving story that is painfully sad. The ending leaves some questions, but it makes the film even more debatable. (B+)”