Abseits des Lebens (2021)

Abseits des Lebens: Directed by Robin Wright. With Robin Wright, Demián Bichir, Sarah Dawn Pledge, Kim Dickens. A bereaved woman seeks out a new life, off the grid in Wyoming.

“u0026quot;Everybody wants to rule the worldu0026quot; Sung along in Land, from Tears for Fears.u003cbr/u003eu003cbr/u003eEthan Hawke brings in those lyrics as well in Tesla last year, making it an anthem for lonely souls seeking more control of their modern lives. Edee (Robin Wright, who also directs) encounters that song and sentiment during her self-exile in the Wyoming mountains in Land as she struggles with life and death in a failed attempt to control a narrative that includes the loss of her husband and son to a mass shooting.u003cbr/u003eu003cbr/u003eA week ago, I witnessed two other women against the odds with The World to Come, where smart ladies weather a brutal winter in 19th century Upper NY State and inadequate husbands. Both filmmakers have captured the reality of survival in hostile but beautiful surroundings, where the environment is metaphor for the storms within.u003cbr/u003eu003cbr/u003eYet, like the hostile living, the women fight fate to control their lives, not without pain and suffering. Edee forsakes life only to find it stalking her in the form of a Good Samaritan, Miguel (Demien Bichir), who not only saves her life but gives her life through his generosity of heart for all living things.u003cbr/u003eu003cbr/u003eEdee must learn to survive (she has forsaken phones and cars) by killing animals and accepting humans, both challenges for a self-determined exile. The story is minimalist, needing not more than cinematographer Bobby Bukowskiu0026#39;s stunning landscapes and Trevor Smithu0026#39;s production design, which is at home in the city as well as an old mountain cabin with previous haunting lives.u003cbr/u003eu003cbr/u003eEscape to stunning landscape? see Land, but donu0026#39;t think life can be left behind. Robin Wrightu0026#39;s expert direction, for her first helming, never lets us forget that our humanity, and the need to connect with it, will never leave us.u003cbr/u003eu003cbr/u003eLand is a fascinating existential journey that showing the melancholy unity between the living and the dead, as James Joyce so poetically pointed out long ago. The connection that brings life: Miguel explains to Edee when she asks why he is helping her: u0026quot;You were in my path.u0026quot;u003cbr/u003eu003cbr/u003eBe exhilarated by a story about exile that doesnu0026#39;t work. Land is beautiful, harrowing, and ultimately rewarding.”