Persepolis (2007)

Persepolis: Directed by Vincent Paronnaud, Marjane Satrapi. With Chiara Mastroianni, Danielle Darrieux, Catherine Deneuve, Simon Abkarian. A precocious and outspoken Iranian girl grows up during the Islamic Revolution.

“Itu0026#39;s quite unusual for a writer to adapt its own book to the screen, especially when itu0026#39;s a comic-book (well, Frank Milleru0026#39;s done it, but thatu0026#39;s another story), and especially when itu0026#39;s an autobiographical comic book. Thatu0026#39;s the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. u0026quot;Persepolisu0026quot; deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isnu0026#39;t it harder to be true and sincere when you are surrounded by a all animation crew ?u003cbr/u003eu003cbr/u003eThatu0026#39;s the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.u003cbr/u003eu003cbr/u003eSo, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman canu0026#39;t reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.”