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Safrom: Directed by Nicola Barnaba. With Valerio Morigi, Camilla Diana, Giovanni Maria Buzzatti, Giuliano Oppes. A girl involved in an accident is rescued by a motorist who is a former private detective. The two will journey past a horrifying incident unleashed at a nearby pharmaceutical factory. An epidemic is invading the area, between attempts to escape and shelter from the impending threat at some point, the former private detective will come to realize that the cause of the epidemic is not far from him.

“Disney is one of the kings of exploitation. For every successful (and unsuccessful) franchise film, there comes tons of merchandising, original soundtracks and sing-alongs and *shudder* direct-to-video sequels. Yes, these sequels go direct-to-video because we all know that theyu0026#39;re going to be pretty bad, but parents are always looking for cheap ways to entertain their children (telling folk tales doesnu0026#39;t work anymore since no one knows them–another topic thatu0026#39;s ripe for academic study, if it hasnu0026#39;t already been pursued) and so Disney somehow manages, by keeping their costs low and targeting their niche market, to keep churning out endless sequels of their hit films.u003cbr/u003eu003cbr/u003eMulan has a baby. It goes by the clever name Mulan II. This film, which amazingly contains the voice talent of Ming-Na (in terms of returning talent, thatu0026#39;s all you get–ER apparently doesnu0026#39;t cover the bills), contains a cheesy uninspiring message of following your heart. (Even over duty! Oh wait, in the wonderful world of Disney, somehow duty gets accomplished incidentally to following your heart. I like the scary Brothers Grimm better, thank you very much.) Fa Mulan and her general friend/lover/dude are getting married. Stuff happens. More stuff happens. Who cares? Oh yeah, the film is a musical too. Do I remember the songs? Nope. Am I glad that I donu0026#39;t remember them? Yep. The animation was unimpressive, the story was unimpressive, the acting was unimpressive, the exploitation of other cultures by Disney in attempt to capture the almighty dollar? Impressive. It appears as though Disney doesnu0026#39;t really care all that much about their source material as a whole. Chinese history and culture is only so important as it helps Disney make Mulan and its direct-to-video heir to sell to the masses.u003cbr/u003eu003cbr/u003eSo what does this film have going for it? Itu0026#39;s not as painful as Little Black Book. But itu0026#39;s close. I watched it on the bus and despite the fact that I wasnu0026#39;t sleepy, I had to the urge to fall asleep just so I could avoid it. If it were night, I would have. I think you can manage to distract kids with this mumbo-jumbo, but honestly, there are far better ways of entertaining your children. 4/10.”

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