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Martin: Directed by George A. Romero. With John Amplas, Lincoln Maazel, Christine Forrest, Elyane Nadeau. A young man, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.

“You donu0026#39;t see anyone make a film like this anymore. Shot on 16mm but absolutely gorgeous looking. Low budget but has a very unusual and quite fine OST(modern classical/jazz sounding I guess?). Great characters and performances. Some of the performances are simple but are usually always quite charming. Romero was able to create a great look by using locations that happened to be available through family and friends. Martin exemplifies the beauty of doing a lot with a little. Re-watchable because there are so many clever details to be found. People looking for tired vampire movie formulas and a bit of Tu0026amp;A will be disappointed with this film. Whatu0026#39;s impressive is how little the film actually covers the standard themes of vampires. Instead, the actual social construct of vampirism is brought into question. Viewers are left to figure out and discuss what the main character is all about on their own. One of the finer moments in 70u0026#39;s semi-independent cinema. On par with Season Of The Witch in terms of weirdness and style. The creativity and integrity seen in Martin will seldom be seen again as long as Hollywood continues to be run by spineless, cowardly producers.”

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