Schatten und Nebel (1991)64K
Schatten und Nebel: Directed by Woody Allen. With Michael Kirby, Woody Allen, David Ogden Stiers, James Rebhorn. With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.
“On first viewing I wasnu0026#39;t crazy about Shadows and Fog, while the film looked fantastic and was well-directed the characters left me cold, the film didnu0026#39;t seem to know what tone it wanted and the story seemed meandering and dull. On re-watch however Shadows and Fog fared much better(as was with almost all the Allen films that didnu0026#39;t impress at first apart from Anything Else), it is nowhere near among Woody Allenu0026#39;s best and is around the lower middle of his filmography but I found it a good film and not among Allenu0026#39;s worst that itu0026#39;s often said to be. Visually, Shadows and Fog looks fantastic with brilliant black and white cinematography and Expressionistic images that are as striking as they are haunting. Allenu0026#39;s films are always well-made, but Shadows and Fog visually like Zelig is quite unique from a visual standpoint. The music is very eerie and fits the atmosphere perfectly, in fact if anything it adds to it. While it was confusing of what tone the film was trying to go with on first viewing, on re-watch it was much clearer and that criticism seems unfair now. The dialogue is both subtle and hilarious(love the brothel scenes) with sharp homages and insight in characteristic Woody Allen vein, but even more impressive was the murder-mystery element while a really chilling atmosphere is created, helped by the visuals and music. Allenu0026#39;s directing is as always adept and his performance, the most memorable, is a lot of fun. John Cusack does nervous and angsty very nicely and Jodie Foster and Kathy Bates are remarkably good in against-type roles. Shadows and Fog has imperfections, Mia Farrow for me overdoes it and comes across as shrill, John Malkovich deserved much more to do and is a little wasted and Madonna is rather out of place. The story does have its drawn out and aimless patches with an ending that felt convoluted and hurried, and the characters are not very interesting, a lot of them barely in the film. To conclude however, a good film but considering how well the best assets come off it could have been more than good. 7/10 Bethany Cox”