In einem Land vor unserer Zeit (1988)

In einem Land vor unserer Zeit: Directed by Don Bluth. With Judith Barsi, Pat Hingle, Gabriel Damon, Helen Shaver. An orphaned brontosaurus teams up with other young dinosaurs in order to reunite with their families in a valley.

“Like other 80s babies, so to speak, if you were born in that era before the Disney movies of the 90s- which did almost reach a mini-renaissance before plummeting towards the end of the decade- you first saw the animated films of Don Bluth more than Disney. This was one of them, and it is a film that, for a certain sort of kid (such as myself) can be watched countless times. Itu0026#39;s short, maybe too short as one of its flaws (Bluth didnu0026#39;t retain final cut with Spielberg and Lucas in the background), as it only develops this epic tale of kiddie dinosaurs going through a harsh, dangerous journey to reach the oasis, the Great Valley. There arenu0026#39;t any time for songs, which is a plus, as Bluth gets in more time for some very realistic- for what is available at the time- animation of the environment. The kiddie dinosaurs themselves, Littlefoot the main protagonist (who also loses his mother, in the Bambi and Lion King vein though here even more of a shock to kids as its from nature and not from some other being to grasp), Cera, Petrie, Ducky and Spike, each have their own personalities ranging from heroic to goofy to scared and even stuck-up. This gives something that kids can hang on to, very simple characterizations that change only through the often used but not too tiresome ideal of friendship and group-work, etc etc.u003cbr/u003eu003cbr/u003eSome of these scenes, the sillier ones, do end up making it more of a movie that holds more for the kids than the adults. That years later it doesnu0026#39;t lose much of its power visually, however, is a real credit to Bluth and his team, who along with An American Tail here make childrenu0026#39;s movies that know what they are, but make them in brilliant uses of the medium. The Tyrannasorus Rex- Sharptooth- is an immensely imposing presence with it saying never a word, as if it was pulled right out of the sequence from Fantasia. The design of the film is also extremely well laid, in a kind of dying world that like all fairy tales becomes all the more compelling in relation to what is the final paradise-type goal. It could almost be said that it might be much for wee little ones (younger than 5) could take, but it really wasnu0026#39;t as I remember it from first seeing it. It balances its look with its characters, making it a near-classic film of its time. Alternately cute and violent, poetic and kitschy.”