Vincere (2009)

Vincere: Directed by Marco Bellocchio. With Giovanna Mezzogiorno, Filippo Timi, Fausto Russo Alesi, Michela Cescon. The story of Mussolini’s secret lover, Ida Dalser, and their son Albino.

“In the past sixty,plus years since Italian dictator,Benito Mussolini was deposed from power,he has only been painted as the brutal,power mad despot,generally depicted in films. What is little known is that he originally started out in the Italian Socialist Party,who was duped to join the Fascist movement,after World War 1. What is also less known was he was married to another woman (Ida Dalser). u0026#39;Vincereu0026#39; (basically Italian for victory,or u0026#39;Winu0026#39; as the filmu0026#39;s title translates to in the English subtitled edition,here)is the sad tale of Dalser,when she fell head over heels for the young Benito Mussolini,when he was a young,head strong man in love with Marxist theory (he is shown early on dismissing the existence of God to an outraged crowd). As the years move on,the young Benito marries Ida,has one son with her,becomes seduced by the warped ideas of nationalism,which bloomed into all out Fascism. From here on, the focus is on Ida,who starts to see her Benito less u0026amp; less,until she pretty much is rendered invisible to Benito (their marriage is regarded non existent,much to the chagrin of Ida),until Ida is eventually kept imprisoned in a mental hospital for life. Marco Bellochio (u0026#39;Henry IVu0026#39;,the remake of u0026#39;Devil In The Fleshu0026#39;)writes u0026amp; directs this chilling portrayal of a woman driven mad by circumstances beyond her control. Giovanna Messogiorno plays Ida Dalser,with passion u0026amp; panache. Felppo Timi wears two hats as the young Benito Mussolini (early on,replaced by vintage black u0026amp; white film clips of the actual Benito Mussolini in later years),as well as Benito Albino,his son with Ida,as a young man (who would eventually end up in the same sad ending as his mother). The rest of the cast is rounded out with the likes of Corrado Invernizzi,Fausto Russo Alesi,and others. the film also acts as a back drop for Italian social history,from 1907,until 1945,with some nice use of visual metaphors (religious images are abundant,here,as the Catholic church was an ardent supporter of the Fascist movement in the early 20th century). Another nice notch for Bellochio. Spoken in Italian with English subtitles. Not rated by the MPAA,this film contains strong language,full frontal nudity (both female u0026amp; male),some strong sexual content,and disturbing images not for young eyes”