Heavenly Creatures (1994)

Heavenly Creatures: Directed by Peter Jackson. With Melanie Lynskey, Kate Winslet, Sarah Peirse, Diana Kent. Two teenage girls share a unique bond; their parents, concerned that the friendship is too intense, separate them, and the girls take revenge.

“When Juliet Hulme moves from England to New Zealand with her parents, she meets Pauline Rieper – a rather disaffected girl who is happy to have a friend. As they get to know each other, Pauline is pulled into the fantasy world of Royals and scandal that Juliet has written. However as the two fall deeper and deeper into the characters they have created, their relationship becomes ever more intense and their parents step in to separate them. Facing a geographical separation, the two plot to take revenge on the adults who seek to split them up.u003cbr/u003eu003cbr/u003eAt the time of release I remember thinking that this was an unusual film for Peter Jackson to have made given that he was more of a gore merchant as I was aware. Watching it not it still feels like a strange film for him to have done, but now it is for different reasons – that is, that he has made one of the biggest trilogies of all time™ etc! Ignoring his previous and later works, this is a great little film and it acts as a showcase for Jackson as it shows he can be imaginative and also sensitive when required – certainly coming to this on the back of Bad Taste, I had low expectations on how he would do it but he did it. The true story is adapted from Paulineu0026#39;s diaries and, while it must be impossible to see how they saw the world, the fantastic fantasy worlds we see here are better than the probably quite repressed world they had in mind – from this film I saw the two as being more insular and self defensive than the elaborate fantasy scenes would suggest. The film did well to depict their relationship, immediately having worrying signs but being the sort of thing kids do – and the killing hinted at by the filmu0026#39;s opening is brutal and unpleasant – we are never allowed to side with these people.u003cbr/u003eu003cbr/u003eThe direction is great, creating normal domestic scenes with the same confidence as it uses full size plastic models within the fantasy sequences.u003cbr/u003eu003cbr/u003eThe cast also do well, in particular two great lead performances. Naturally Winslet gets all the kudos for her character is ott at times and spins wildly emotionally – a hard role to carry off but she does it very well and showed great promise (even if she looks too old for the role in my opinion). Lynskey impressed me much more as her role was more controlled and was delivered a lot better by an actress who looked like a shy, embarrassed little girl. Both were great for different reasons and they are a big reason this film works so well. Support from the likes of Ou0026#39;Connor, Kent and a few other well known faces are also good but there is never a question about their role within the film – they are supporting the main two.u003cbr/u003eu003cbr/u003eOverall I imagine this film will get a audience boost now as lots of LOTR fans go trawling through Jacksonu0026#39;s back catalogue to see what else he has done (boy are they in for a surprise!) and Iu0026#39;m glad more people will see it.u003cbr/u003eu003cbr/u003eThe direction is great and it delivers a complex story in a colourful and fanciful manner, but the main praise should go to the two lead actresses who deal with really difficult characters and do so in a confident and believable manner – even if the material means that many of us will want to find what they did abhorrent.”