Der schwarze Reiter (1947)

Der schwarze Reiter: Directed by James Edward Grant. With John Wayne, Gail Russell, Harry Carey, Bruce Cabot. Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.

“The Angel and the Badman is a milestone film in the career of John Wayne. It was the first film in which he had a substantial role behind the camera. My guess is that he must have lobbied Herbert J. Yates at Republic films for some creative control and Yates gave in to his studiou0026#39;s biggest moneymaker. u003cbr/u003eu003cbr/u003eThough Wayne at times didnu0026#39;t have the best judgment in regard to his own personal projects, The Angel and the Badman is a winner in every way and doesnu0026#39;t get near enough credit for the work it is except from Wayne partisans. u003cbr/u003eu003cbr/u003eWayne plays young gun hand Quirt Evans, a most feared man in the territory, who wounded falls in the hands of a Quaker family who nurses him back to health. Wayne starts eying pretty daughter Gail Russell.u003cbr/u003eu003cbr/u003ePretty soon under her influence Wayne starts questioning the direction his lifeu0026#39;s been going in. Of course the Quakers do cheat a little on this question themselves. Though they donu0026#39;t believe in violence, the Dukeu0026#39;s reputation as a gun hand comes in mighty handy in settling at least one neighborly dispute with Paul Hurst.u003cbr/u003eu003cbr/u003eMy favorite scene in the film and one of Wayneu0026#39;s best in all his films also involves his reputation. When Bruce Cabot and two henchmen find him at the Quaker home, Wayne runs one terrific bluff holding them off with an empty gun. This was the first time Wayne and Cabot worked together. In the sixties Cabot became a regular in Wayne films.u003cbr/u003eu003cbr/u003eAngel and the Badman also has two other Wayne attempted reclamation projects. Gail Russell was one of the most beautiful women ever on the silver screen. She had a lot of tragedy in her life and died young. Wayne at one point gave her the lead in a film Seven Men from Now that he was producing, but not starring in, with Randolph Scott. She gave a good performance, but a lot of substance abuse had taken its toll.u003cbr/u003eu003cbr/u003ePaul Hurst later on got a pay day from Wayne in Big Jim McLain in a scene he portrayed from a wheelchair. He was terminally ill with cancer and in fact took his own life shortly afterwards. The money was no doubt needed for Hurstu0026#39;s medical expenses. u003cbr/u003eu003cbr/u003eLater on in McLintock Wayne said in one scene he doesnu0026#39;t give jobs, he hires men (and women). This was his idea of charity and something that never gets talked about enough by people, even some of Wayneu0026#39;s most devoted fans.u003cbr/u003eu003cbr/u003eAs this was his first film as producer, I have no doubt that the Duke wanted Harry Carey, the man he patterned his cowboy image after in this film. One of Careyu0026#39;s best screen performances as the u0026quot;patientu0026quot; federal marshal whou0026#39;s waiting for Cabot and Wayne to shoot it out so he can hang the winner. u003cbr/u003eu003cbr/u003eWayneu0026#39;s good friend James Edward Grant wrote and directed the film. Later on Frank Capra disparaged Grant as a bad influence on Wayne when they quarreled during the filming of Circus World. Grant did write some of the more conservative on Wayneu0026#39;s films. But I certainly canu0026#39;t fault anything he did in The Angel and the Badman.u003cbr/u003eu003cbr/u003eIn fact itu0026#39;s a winner in just about every respect. Even some Wayne haters might like this one.”