Worth (2018)

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Worth: Directed by Eduardo Castrillo. With Tony Todd, Clifton Powell, Miguel A. Núñez Jr., Eduardo Castrillo. Ricky, a top contender in Muay Thai Kickboxing trains for the title belt, all the while dealing with new relationships, money problems, and family drama.

“Saw u0026#39;The Guernsey Literary and Potato Peel Pie Societyu0026#39; as a fan of period drama, as someone who is trying to watch as many films of the year as possible and who likes a lot of the actors in the cast. Itu0026#39;s great enough seeing such talent on their own, and even more of a delight to have so much talent together. u003cbr/u003eu003cbr/u003eThe idea for the story was also very interesting and it was nice to see a film based in a fairly under-explored period of wartime history. The title was not hugely appetising though. Seeing the film with my sister yesterday, found u0026#39;The Guernsey Literary and Potato Peel Pie Societyu0026#39; to be a pleasant and well done if falling short of great film. It is engrossing enough and should have enough to appeal to a reasonable sized audience, it may appeal more to older audiences but those who want to know more about this period of wartime history or want to gain some knowledge of it should get something out of it.u003cbr/u003eu003cbr/u003eNot a perfect film by all means. Will admit to having a good idea of, well actually knowing, how u0026#39;The Guernsey Literary and Potato Peel Pie Societyu0026#39; was going to end well before it ended, with the love-related aspect of the story being telegraphed a little too early. u003cbr/u003eu003cbr/u003eDidnu0026#39;t care for the character of Mark. Despite him serving some point to the story, with a crucial part of the plot being resolved with his involvement, he was rather one-dimensional and didnu0026#39;t have much personality or anything to make one endear to him (he also behaves like a jerk later on). Within the period, he seemed a little out of place. The same goes for how he is played. Matthew Goodeu0026#39;s part was also on the underwritten side but he was much easier to like.u003cbr/u003eu003cbr/u003ePacing at times could have been tighter, some draggy spots here and there.u003cbr/u003eu003cbr/u003eHowever, there is an awful lot to like about u0026#39;The Guernsey Literary and Potato Peel Pie Societyu0026#39;. The production values and cast are the biggest selling points. Itu0026#39;s a beautifully shot film with very handsomely evocative production and costume design that does give one a real sense of period.u003cbr/u003eu003cbr/u003eEven better are the cast, with Lily James a charming and very rootable lead and Michiel Huisman cutting a handsome presence. Their chemistry is warm and tender. Tom Courtenay is understated and amusing, having one of the filmu0026#39;s best lines near the end, while Penelope Wilton as the most rounded supporting character is heart-wrenching. Jessica Brown Findley is also strong. u003cbr/u003eu003cbr/u003eMike Newell does solidly directing, not exceptional but he skilfully stops u0026#39;The Guernsey Literary and Potato Peel Pie Societyu0026#39; from being too frothy or too intense. The script is thought-provoking, with some tension and a lot of emotion. The end credits were a lovely touch. A good job is done showing what living in the period and before was like while not being too one-sided. There is genuine emotional power here, with a back-story and main conflict, centring around the consequences of significant loss, that provides a lot of poignancy and hope. u003cbr/u003eu003cbr/u003eOne does feel the love and friendship between the characters and there are some nice revelations along the way in solving this intriguing story where one hopes for a happy outcome to the mystery/mission dominating it. The music, when used, is neither intrusive or too low-key.u003cbr/u003eu003cbr/u003eIn summary, good, pleasant and engaging film that could have been even better. 7/10 Bethany Cox”

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