Lovers and Lollipops (1956)

Lovers and Lollipops: Directed by Morris Engel, Ruth Orkin. With Lori March, Gerald S. O’Loughlin, Cathy Dunn, Bill Ward. Ann, an attractive widowed New York model, lives in an apartment with her daughter Peggy. The courtship of Ann by visiting engineer Larry, and accompanying misadventures, are seen alternately from their and Peggy’s viewpoint. Filmed realistically at many New York locations.

“Went to the first matinée available locally and I am still thinking the picture over. Will definitely see this one again, if it hasnu0026#39;t left the theatre abruptly. I was certainly horrified by the film, which is a good thing, as I had assumed it was a horror picture. It is, of course, much more than that. Nonetheless, it is NOT The Conjuring or Get Out (both good films, for sure), so just be warned.u003cbr/u003eu003cbr/u003eBy now you are aware that the film has been controversial, also a good thing. Jennifer Lawrence does a fine job and her career is certainly not going to suffer for her performance. I am not exactly a JLaw u0026quot;fanu0026quot; (could live without the Hunger Games), although I will pay closer attention to her future performances, especially if she pulls off more roles like this one (really liked Winteru0026#39;s Bone, by the way). As I understand the Hollywood scene, it is a respectable personal decision to take on a challenging role in an avant garde picture, especially if you have already banked serious money from popular roles in blockbusters. Javier Bardem, Michelle Pfeiffer, and Ed Harris also do their respective parts justice–a well-acted film by A-listers, overall. Camera work and special effects are also impressive.u003cbr/u003eu003cbr/u003eThe story is genuinely disturbing in a Requiem for a Dream way, so donu0026#39;t go if you canu0026#39;t handle that sort of thing. Some of the violence is, indeed, OVER THE TOP. Seriously, not for the faint of heart. Aside from the biblical allegory stuff, I found the character portrayals creepy as hell in a (sur?)realistic David Lynch-esque way. Hell is other people!u003cbr/u003eu003cbr/u003eI applaud Mr. Aronofsky for keeping his vision intact all the way to the big screen. For reference, I just donu0026#39;t need any more movies based on superheros, comic books (except The Tenth or Gen 13), childrenu0026#39;s cartoons, vampires fighting werewolves, or horror stick about unfriending weirdos on facebook. u003cbr/u003eu003cbr/u003eYou will have to make up your own mind on this one, so please do just that. Even if you end up despising the film, try to remember that, to quote Rob Zombie, u0026quot;Artu0026#39;s Not Safe.u0026quot;”