Rupan sansei: Babiron no Ôgon densetsu (1985)

Rupan sansei: Babiron no Ôgon densetsu: Directed by Seijun Suzuki, Shigetsugu Yoshida. With Yasuo Yamada, Eiko Masuyama, Kiyoshi Kobayashi, Makio Inoue. Lupin squares off with two criminal families and Inspector Zenigata’s new female patrol to track down a hoard of biblical-era treasure.

“u0026#39;Lupin III: The Gold of Babylonu0026#39; has somewhat of a bad reputation among Lupin fans, and it is not all that hard to see why. Personally didnu0026#39;t think it was that bad, but for a Lupin film it is disappointing.u003cbr/u003eu003cbr/u003eHave to agree that u0026#39;Gold of Babylonu0026#39; is one of the weaker Lupin films, and that it has nothing on the previous two Lupin films. The very impressive first feature film of his, u0026#39;The Secret (goes under Mystery too depending on where youu0026#39;re from) of Mamou0026#39;, despite a confused and strange final third it is the boldest Lupin film and the most faithful perhaps to the manga. And the outstanding u0026#39;The Castle of Cagliostrou0026#39; (my first Lupin film and my favourite), also one of my favourite animated films and Lupin at his funniest and most exciting. It is watchable, though really for Lupin completests as a one-time viewing.u003cbr/u003eu003cbr/u003eStarting with the good things, most of the animation is not bad. The backgrounds are nicely detailed and fluid and the colours are lively. The music score is dynamic, beautiful and groovy and a good fit with whatu0026#39;s going on.u003cbr/u003eu003cbr/u003eAs always, Lupinu0026#39;s friends are very entertaining and it is hard not to image a Lupin film without film because they add so much. Some of the action is fun, if never on the same level as the helicopter, police and lorry chase in u0026#39;The Secret of Mamou0026#39; and particularly the opening chase sequence in u0026#39;The Castle of Cagliostrou0026#39;. The voice acting is quite good.u003cbr/u003eu003cbr/u003eOn the other hand, while the rest of the animation is not bad, the character designs are quite ugly and sloppy in movement. Particularly for the secondary characters, that are more at home in heavily stylised US animation. For those wanting humour and excitement, they will find themselves a little short-changed, there are odd splashes of humorous moments but too far and between and other action-oriented parts lack lustre (for a big Lupin chase sequence, this one is pretty pedestrian).u003cbr/u003eu003cbr/u003eZenigata served very little point to the story and his subplot added nothing and felt rather irrelevant and the villain is shamefully underused and incredibly dull. Lupin is at his least likable and most annoying (when he is usually fun and charismatic) and there are stereotypes that wonu0026#39;t bode well.u003cbr/u003eu003cbr/u003eFaring weakest here is the story, which has far too many uncomfortably bizarre touches that feel misplaced for Lupin and a lot of it is ludicrous and even for Lupin implausible. Then there is the final act, where the weird completely spirals out of control and the final twist is bizarrely ridiculous.u003cbr/u003eu003cbr/u003eIn conclusion, has one-time completest watchability value but far too strange and proof that not everything to do with Lupin turns to gold. 5/10 Bethany Cox”