A circus’ beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
User Reviews: This is for the misfits the freaks and the runts.rnrnTod Browning’s Freaks is as infamous today as it was back in the 30s when it shook film watchers to the core. Of course time has diluted some of its impact, you can imagine that a modern day horror fan drooling over torture porn et al being completely bemused by the reputation afforded Freaks. Yet it still remains a unique and nightmarish piece of film making, the sort of picture that if someone like David Lynch had made it in the modern era it would be heralded as a masterpiece of daring and genius like artistry.rnrnBrowning pulls us the viewers into this bizarre carnival society of oddities who are genuinely portrayed by real people. Their codes and ethics are laid bare, but not in some sort of yearning for sympathy, but in a factual way of life. Browning toys with his audience, planting suggestive images of sexual dalliances and role reversals, then he completely pulls the rug from under us to deliver his flip-flop finale. rnrnThe messages aren’t deep, but they need to be thought about. For even as the freaks of Browning’s play terrifyingly pursue their quarry through the rain and mud, as the blood freezes and the macabre imagery strikes the senses, it would be a shame if themes such as love and loyalty be forgotten. 9/10