Centered on a post-apocalyptic society where food is scrarce and used as currency. In an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and is in need of a new maintenance man since the prior one “mysteriously” disappeared. A former clown applies for the job and the butcher’s intent is to have him work for as little as possible, and then serve him to odd tenants who pay the butcher in grain. The clown and butcher’s daughter fall in love and she tries to foil her father’s plans by contacting the “troglodytes”, a grain eating sub-group of society who live entirely underground.
User Reviews: If Citizen Kane is the number one movie to see to learn anything about cinematography, this might as well be at number 2.
Delicatessen succeeds at creating a totally separate, consistent and believable universe with a very distinct atmosphere. The brown and green colors add to the weirdness of this universe.
Is it horror? Yes and no. Is it a comedy? Yes and no. Is it brilliant? Oh yes!
Everybody involved in the making of this picture gave it its best. The camera work is brilliant, the sets are simply amazing (with the final bathroom scene at the pinnacle), the editing and pace is breathtaking.
This could have been a very dark movie (and I guess a few Hollywood directors would have tried to turn it into a splatter movie and fail miserably), but the humor is just light, off-beat and hilarious enough to make it into a consistent and bearable whole. Every universe has its humor, and a strange universe has strange humor. Jacques Tati would have loved Delicatessen.
Julie’s ‘tea ceremony’ without her glasses, the mattress spring test, Aurore’s failing suicide contraptions, it’s all funny as hell. I hope everyone who is even marginally involved in making movies gets to see Delicatessen and learns from its greatness. We could sure use a touch of genius in most of them …