Ip Man Zero (2010)

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Ip Man Zero: Directed by Herman Yau. With Yu-Hang To, Yi Huang, Biao Yuen, Siu-Wong Fan. Yip Man’s resistance against invading foreigners, along with his romantic relations while under the tutelage of three Wing Chun masters.

“With cult Hong Kong director Herman Yau at the helm, The Legend is Born predates the Ip Man films weu0026#39;ve seen thus far, seizing the window of opportunity in exploring Ip Manu0026#39;s life as a teenager before he became the master weu0026#39;re all familiar with Donnie Yenu0026#39;s portrayal. While itu0026#39;s less flashy than the two earlier films, Yau will pique your curiosity with the shrewd casting of veterans such as Sammo Hung in a different role this time as Ip Manu0026#39;s master Chan Wah- shun, Yuen Biao as the next generation leader Chung Sok, and even getting Fan Siu Wong back as Ip Manu0026#39;s foster brother Ip Tin-chi, making him the only actor to feature in all three Ip Man films thus far. Credibility for the film is even enhanced with the presence of Ip Manu0026#39;s real son Ip Chun as the elderly but sprightly Leung Bik who teaches Ip Man (played by Dennis To) a thing or two about his brand of Wing Chun.u003cbr/u003eu003cbr/u003eThat scene alone opposite To is one of the action highlights of the film. And action is something this film has no lack of, ranging from friendly and playful exchanges, to fending off petty street thugs and the Japanese – yes, again, but I suppose itu0026#39;s set in the era before the Sino-Japanese war that this in the narrative is somehow unavoidable. While the earlier film versions had tried to stay rooted in reality with the fight scenes, for this version thereu0026#39;s the inevitable and obvious wirework being used from time to time, which takes you into the realm of fantasy unfortunately.u003cbr/u003eu003cbr/u003eBut almost everyone here has a fight crafted for them, and some of the better ones include the mouth-watering duel between Sammo Hung and Yuen Biao executing Wing Chun moves while blindfolded, imparting a key philosophy about pre-emption, Fan Siu Wongu0026#39;s battle against Japanese exponents in the Jing Wu premises, Dennis To against Yuen Biao when the former returned from Hong Kong, and of course the brawl involving Dennis To against many ninjas, which we now associate Ip Man with (fighting against impossible odds in headcount). Various martial arts like Judo and Karate also get thrown in even if theyu0026#39;re used fleetingly, and thereu0026#39;s also glimpses of the variation of Wing Chun involving weapons like the 6 inch pole (well, we know the damage what Ip Man can do with a humongous one from the first film), and the staples like the wooden dummy practices and the rapid fire punches. If thereu0026#39;s any fight scene which is a let down, itu0026#39;ll be the final one which was short, and the opponent never really threatening our hero at all.u003cbr/u003eu003cbr/u003eDennis To, the current Hong Kong martial arts champion, probably has his close physical features resemble Donnie Yen to thank for in winning the title role of Ip Man, since audiences all over are currently associating the Master with Donnieu0026#39;s portrayal. Incidentally To had a role in Ip Man 2 as Sammo Hungu0026#39;s disciple, so howu0026#39;s that for having everyone associated with the earlier films, to chip in for this one? The pressure is on for To, but granted he cannot hold a candle to Donnie Yenu0026#39;s charisma yet, and because Ip Man the character here is in his early days, he gets whupped a bit more here as expected since heu0026#39;s nowhere near the grandmaster status. Credit to To for trying, though his acting is a lot more wooden, and his fighting moves executed for the film also having a raw feel than the fluidity weu0026#39;ve come to know the Ip Man for.u003cbr/u003eu003cbr/u003eOn the other hand, I thought this was more of a Fan Siu Wong breakthrough role, where heu0026#39;d make you sit up and take notice of his gentlemanly portrayal of Ip Tin-chi. In Ip Man 1 heu0026#39;s the ruffian from the North, and shows that heu0026#39;s quite the chameleon in changing his outwardly appearance for a different character here. His character also seemed to be more fleshed out (for a reason of course), and action-wise given the opportunity to shine a lot more with the various styles utilized, as well as those which Ip Man had picked up from Leung Bik, putting them two on almost equal terms.u003cbr/u003eu003cbr/u003eErica Leeu0026#39;s screenplay transports us back to the life and times of a young Ip Man and his life in the Wing Chun martial arts school, as well as his education in Hong Kong. Unfortunately it also meant having to put in a clunky romantic web weaved between the characters, though it didnu0026#39;t go beyond the surface and had plenty of u0026quot;jealous fitsu0026quot; coming from Rose Chanu0026#39;s fellow martial arts student with whom Ip Tin-chi is interested in, but for her to prefer Ip Man, who in turn is in love with Huang Yiu0026#39;s rich girl character to probably align this to the Ip Man films.u003cbr/u003eu003cbr/u003eThe story also contain shades from the earlier ones, such as those involving corrupted officials, arrogant foreigners who have to be put in their place, a jail term (this makes it 3 in a row that Ip Man gets thrown into one), and having enough twists in the story to include a short murder mystery, espionage, and a turn that will make Infernal Affairs proud as well.u003cbr/u003eu003cbr/u003eItu0026#39;s a prequel done by another production team, so donu0026#39;t expect the narrative to gel so nicely into Mandarin Filmsu0026#39; Ip Man universe since there are elements here that obviously clashes with what we treat as canon. But what you can expect, as a martial arts action film, is plenty of rapid fire, hard hitting action, and of course more of Ip Manu0026#39;s character being portrayed on the big screen. Youu0026#39;d still feel compelled to applaud when Ip Man comes to the rescue, but soon realize that it doesnu0026#39;t exude the same emotional intensity, but makes up for it in its variety of fights showcasing the lesser seen Wing Chun moves.”

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