Fantasia 2000 (1999)

Fantasia 2000: Directed by James Algar, Gaëtan Brizzi, Paul Brizzi, Hendel Butoy, Francis Glebas, Eric Goldberg, Don Hahn, Pixote Hunt. With Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler. An update of the original film with new interpretations of great works of classical music.

“The first problem was that there was too much introduction between the pieces. Angela Lansbury and James Earl Jones were the best, but the one with Steve Martin was unnecessary, as well as Penn and Teller. The film itself was a little short, but I enjoyed it anyway. It is beautifully animated, with good choices of music, but if anything, I wish there was more of it. I love the original, but I thoroughly recommend this as well. The animation was spot on, especially in the Pines of Rome segment. This was my personal favourite, as i thought that baby whale was so sweet. Donald Ducku0026#39;s version of Noahu0026#39;s Ark set to the music of Elgar was hilarious, as was the Carnival of the animals. The most beautifully animated was the Firebird sequence,reminding me of FernGully, telling the story of u0026quot;Life, death and renewal.u0026quot; I am not a huge fan of Stravinsky, but the Firebird I have always considered his best work. There was also the abstract images in the Beethoven. They were ambiguous but very well done, but I didnu0026#39;t like the chopping of the piece itself. The section they missed out is essential to the movementu0026#39;s development in my opinion. The Pines of Rome sequence was outstanding I thought, I showed it to my year 4 peers 8 years ago, and they all clapped at the end of that segment but were unenthuasiastic about the rest of the film. Then Gershwin treated us with Rhapsody in Blue, telling the story of a typical day in New York. The Shostakovich was very good, but marred by the interesting but overlong introduction. Great animation and music though. The Saint Saens was funny, but the Magic Trick was pointless. Unfortunately Sorceroru0026#39;s Apprentice was one of the highlights in the original, but was for me the weakest segment here. The Elgar was absolutely hilarious, and the Firebird very heartfelt also I had early memories of thinking the Sprite was absolutely gorgeous. The music was very well performed by James Levine and the Chicago Symphony Orchestra. All in all, 8/10 Bethany Cox.”