Spider-Man 3 (2007)

Spider-Man 3: Directed by Sam Raimi. With Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church. A strange black entity from another world bonds with Peter Parker and causes inner turmoil as he contends with new villains, temptations, and revenge.

“My feelings after watching the third film are somewhere in the neighborhood of satisfied, but that feeling is fairly disappointing. Satisfied more or less means adequate and to follow a sequel that I consider excellent with a film thatu0026#39;s only adequate is a certainly a step down. Positively, Spider-Man 3 does reasonably well at maintaining a feeling similar to that of the first two films. I never felt like I wasnu0026#39;t seeing the same world or characters and thatu0026#39;s important to me. Continuity in tone really helps hold a series together. The Matrix Reloaded never felt to me like I was witnessing the continuation of the story and world presented in the first installment. The scenery and characters felt like weak and dull recreations and that really bugged me. The New-York of Spider-Man 3 is about the same as before, as is Peteru0026#39;s apartment, The Daily Bugle offices, etc. Peter, Harry, Mary Jane, Aunt May, etc. also carry over well and itu0026#39;s easy to jump back into their lives. Where it doesnu0026#39;t feel like its predecessors is in its pacing and scope. The film tries to tell a lot of story for one film, much more than either the previous installments. This makes it messy. If you took Spider-Man 1 and 2u0026#39;s stories, wove them together and compressed them into one 2 hour film, youu0026#39;d have a mess pretty similar to Spider-Man 3. A lot of this has to do with poor exposition and the decision to include three villains. In good exposition, events lead to other events and it all seems to flow naturally. Some films end up feeling like a story wasnu0026#39;t really even written, but instead a series of well-crafted scenes that donu0026#39;t necessarily fit well together. A bunch of smaller scenes are then written to connect those scenes. These scenes can feel very forced because they often rely heavily on coincidence. The Matrix Reloaded is full of these contrived scenes and so is Spider-Man 3. Theyu0026#39;re frustrating because they act like speed bumps where the plot suddenly feels awkward and my enjoyment of the film drops. One scene sticks out particularly in Spider-Man 3 as too awkward. Venom, one of the super-villains, is swinging through alleyways when he is ambushed by the Sandman, another villain. Venom proposes they team to get Spider-Man together, Sandman agrees, end scene. This scene is needed to set up the final, huge battle of the film but just seems poorly worked in. For one itu0026#39;s very short, and two the characters donu0026#39;t know each other and have completely different motives for being villains. That the two would decide that quickly to become partners after coincidentally running into each other is just sloppy to watch.u003cbr/u003eu003cbr/u003eDespite how it seems, I didnu0026#39;t hate the film. I was just disappointed in its flow as a narrative and thought it aimed much higher than it should have in terms of what to include plot wise. Regardless though, many scenes were very enjoyable to watch and I donu0026#39;t just mean action scenes. The Daily Bugle scenes, as always, were great and funny. The addition of Topher Grace as Peteru0026#39;s photographer rival, Eddie Brock, was great casting. His line delivery works perfectly with his characteru0026#39;s sleazy personality and his scenes with Peter are some of the best. The character Harry Osborne returns and becomes one of the filmu0026#39;s three villains: a new Green Goblin that takes over where the Goblin of the first film left off. Harry and Peteru0026#39;s relationship is probably the most interesting part of the story. Their struggle between being friends and enemies makes for some tense moments. One of my favorite scenes in the film is a verbal confrontation in a diner between Peter and Harry. Playing off Peteru0026#39;s presumption that he and Harry are back on good terms, Harry orchestrates a bit of nasty drama that sticks a knife in Peteu0026#39;s love life. He has Peter meet him in a diner just to drive the knife in a little further. As Pete storms out, Harry is awash in sadistic joy with himself before making a fast and creepy exit. Harry is really the best handled villain of the film. Not only as the Green Goblin Jr. fighting Spider-Man in the sky much the way his father did, but as Harry, Peteru0026#39;s estranged friend, using their friendship as a pretty sharp weapon against him. The villain I could have done without was the Sandman. His character was interesting but his place in the film as a main character seemed unnecessary and forced. Heu0026#39;s an escaped convict running from the police who accidentally falls into a big science experiment and becomes the Sandman. He is also apparently the actual killer of Peteru0026#39;s uncle Ben thus giving Peter motivation to go after him. This reworking of the first filmu0026#39;s story seems very far fetched and unnecessary. The computer effects used to create Sandman are terrific as is the performance by Thomas Hayden-Church, but I think the film would have improved without him. More time could then have been given to the conflicts with Harry and Eddie and likewise Goblin and Venom. Venom is particularly nice because heu0026#39;s the only villain not the product of some crazy experiment gone wrong. His creation is almost entirely Peteru0026#39;s fault. Venom acts as a slimy toothy grinning anti-Spider-Man, who hates Spider-Man on a personal level after Eddie Brock loses his job and girlfriend and holds Peter responsible. Two villains definitely wouldu0026#39;ve been enough for one film, especially two villains that feel wronged by Peter personally, not just Peter as Spider-Man. I donu0026#39;t really want them to continue this series, but since it seems like they may anyway, I hope some lesson is learned with number three that less really can be more. If the time that was spent awkwardly packing too many stories into one film was instead spent working on one good story so that it flowed naturally, Spider-Man 3 could have excelled the way number two did.”