Visfot (2024)

Visfot (2024). 2h 10m

“Shoaib (Fardeen Khan) is working as a cab driver to make ends meet and has a mother suffering from dementia. In order to look after her, he is stuck in Dongri though he had once left it. He has a supportive girlfriend named Lucky who works at a restaurant. Shoaibu0026#39;s friend leaves a jacket while getting arrested and the jacket contains drugs. A fire accident at home has Shoaibu0026#39;s mother misplace the jacket and now Shoaib is in trouble with a lady Don Acid Tai, to whom the drugs belonged. Elsewhere, Akash (Riteish) catches his wife cheating red-handed and in that process, leaves his child at the restaurant, Lucky works at. Things escalate enough for the kid to land up at Shoaibu0026#39;s house and Acid Tai turns it into a kidnapping for ransom. How does Shoaib and Akash get out of this mess, forms rest of the story.u003cbr/u003eu003cbr/u003eI have not seen the original and still I felt the film to be dated. Produced by Sanjay Gupta and directed by Kookie Gulati, the screenplay simply lacked the highs and intense moments to sell this story. It revolved around the same Dongri being the place for criminals and a couple pretending to live a posh life while in debt, two opposite worlds colliding while neither of them being truly happy in their respective lives. The narrative remains one toned and sadly, there arenu0026#39;t any memorable characters as well. Seema Biswas in her brief appearance is obviously good but even her role is not the main focus. Both Fardeen and Riteishu0026#39;s roles needed better treatment too. Overall, Visfot falls under u0026quot;been there, seen thatu0026quot; list of films, offering nothing interesting.”