Tabor ukhodit v nebo (1976)

Tabor ukhodit v nebo (1976). 1h 41m | K-16

“A poem about freedom and love. A strange world of joy, ambitions and desires. A form of escape and a colorful dream.u003cbr/u003eu003cbr/u003eEmil Loteanu was a special director for the way chosen. His movies, products of Sovietic cinema, are, very often, touching skits of a raw cardboardu0026#39;s space. The stake- to prove the identity of a small nation in a empire. The means- Russian art of purlieus. Accent on the dramatic themes and emotions like only message.u003cbr/u003eu003cbr/u003eu0026quot;Tabor ukhodit v nebou0026quot; is only a picturesque film about a imaginary community. His importance is not small because the Gipsys are the product, in the self-image ,of this movie, slice of a possible golden age at the beginning of XXth century. In same time, it is a good introduction to Kusturica filmography, with the aspects of a ambiguous Balkanu0026#39;s life, with songs and carousals with barbarian persistent taste, with full of color atmosphere and any way of business. u003cbr/u003eu003cbr/u003eSo, a good film for Bovaric public, for the Kakaniau0026#39;s nostalgics, for amateurs of subtle kitsch, for the fans of actors, for old Gipsys or dreamers. But, in fact,it is only a ethnographic foray in Maxim Gorkiu0026#39;s pathetic universe. Eastern Europe- like a strange endless Gypsyu0026#39;s song.”