Zhantai (2000)

Zhantai (2000). 2h 34m

“This is Jiau0026#39;s best film ever. I watched it twice. I was deeply touched twice by its poignant delineation of a bleak and still town in the 80u0026#39;s in Shanxi province, China. It seems nothing is changing in that nearly forgotten town. But with the collapse of Maoism and the influence of reforming in the country, the people there, especially those youngsters, are changing. They were like struggling in a very slow-moving turmoil, desires so much to change their lives but yet so helpless and knowing nothing about how to do it. They drifted away from there initial purposes, their friendship, and their love.u003cbr/u003eu003cbr/u003eThe cello appears 3 times during the whole film, which is almost heartbreaking. They were running towards the train, but the train just ran away. And gradually, you forgot what youu0026#39;ve been chasing when you were young, you donu0026#39;t care about those inspiring songs like u0026#39;In the field of hopesu0026#39; which is a symbol of those old days. Life always keeps moving on, like the brick of those ancient walls of Fenyang ever exists.u003cbr/u003eu003cbr/u003eThere are so many retrospective u0026#39;cultural remindersu0026#39; in this film, e.g. those old songs, costumes, literal expressions, furniture and behaviors that bring you back to that time. I would say, if a western audience appreciate this film, he will appreciate double if he were Chinese, and even more.u003cbr/u003eu003cbr/u003eBravo, Jia Zhangke. The Chinese cinema is now filled with Hollywood-style huge investment martial art shitt and he is among the rare ones who are decent filmmakers.”