Augen der Angst (1960)

Augen der Angst: Directed by Michael Powell. With Karlheinz Böhm, Moira Shearer, Anna Massey, Maxine Audley. A young man murders women, using a movie camera to film their dying expressions of terror.

“The film that did a large amount of damage to Michael Powellu0026#39;s film career remains as a prime example of an intellectual British horror film. It has certainly retained the power to shock over four decades later, and leaves the viewer with more questions than have been answered during the fairly short running time.u003cbr/u003eu003cbr/u003eCarl Boehm plays Mark Lewis, a focus puller at a film studio who feeds his voyeuristic tendencies by filming people everyone he goes. This preoccupation takes a disturbing twist in his need to kill, and film women as he kills them. So far, so unsavoury. Mark appears on the surface as a personable young man who just has this dangerous, psychotic tendency he canu0026#39;t always keep in check. The audience is thus invited to have some sympathy with him, especially after the discovery that the young Mark was the focus for his fatheru0026#39;s experiments on the nature of fear in children (show in part as the film within the film featuring Michael Powell and his son Columba), and was filmed and recorded for the whole of his young life. No wonder, the film is saying, that he has grown into this disturbed person who has no real life away from either recording things on a camera, or watching the results in his darkened room.u003cbr/u003eu003cbr/u003eAnna Massey has perhaps the prime female role in the film, as Marku0026#39;s downstairs neighbour Helen Stephens. She is both repelled and attracted by Marku0026#39;s movie-making, and perhaps she is closer to him that she would herself admit. It is a restrained performance of considerable power. Moira Shearer has a brief appearance as the studio stand-in who becomes his victim, while Shirley Anne Field provides light relief as the film actress who can never get her lines right and doesnu0026#39;t know how to faint on camera.u003cbr/u003eu003cbr/u003e‘Peeping Tomu0026#39; is a clever piece of work which perhaps came too soon to be acceptable to the establishment. After all, during Powellu0026#39;s collaborations with Emeric Pressburger, they often pushed their luck with their subject matter and the way they presented it. This film was the natural progression of that anarchistic spirit. It is humorous in places – Mark is not presented as a one-dimensional monster – while being a very dark and disturbing psychological thriller throughout.”