All meine Sehnsucht (1953)

All meine Sehnsucht: Directed by Douglas Sirk. With Barbara Stanwyck, Richard Carlson, Lyle Bettger, Marcia Henderson. In 1910, a wayward mother re-visits the family she deserted.

“Absolutely love Barbara Stanwyck and consider her one of the best actresses of her generation. She is/was one of the few to seldom give a bad performance despite being in some very patchy films early on in her career. Have much admiration for Douglas Sirk, another director that explored very real and difficult subjects and conflicts and not in a toned down fashion. Some films of his are better than others, one of my favourites of his being u0026#39;Imitation of Lifeu0026#39;, but there is a good deal to admire about all his films.u003cbr/u003eu003cbr/u003e1953u0026#39;s u0026#39;All I Desireu0026#39; is no exception. It is not a great film in my view, and both Stanwyck and Sirk did better films in their careers (though individually both fare very well). Like much of Sirku0026#39;s output, there is a lot to admire about u0026#39;All I Desireu0026#39; that outweigh the not so good things which sadly are present. Fans of Stanwyck are not likely to be disappointed, despite it not being one of her best there is plenty here that made her such a good actress.u003cbr/u003eu003cbr/u003eWill start with the good things. Regardless of what one thinks of whether the period is well established, u0026#39;All I Desireu0026#39; still looks great in its own way. It is beautifully photographed, at its best quite lavish without being overblown, and itu0026#39;s well designed. The music is often hauntingly beautiful without being over-intrusive or too syrupy. The film is sensitively directed by Sirk, in an understated but never disengaged way, his trademark touches obvious especially in his themes and the realistic way his characters are treated.u003cbr/u003eu003cbr/u003eEnough of the dialogue is thought-provoking and poignant and the story also has emotional impact and doesnu0026#39;t shy away from its approach to the subject without being too ham-handed. Most of the performances are fine, Stanwyck was a wonderful actress and her steel and vulnerability is abundantly clear. Once he warmed up, after starting off uncomfortable, Richard Carlson actually to me did a mostly good job. Lori Nelson, once one warms to the character, and Maureen Ou0026#39;Sullivan are lovely support, though Ou0026#39;Sullivan could have had more to do. One can argue that it is hard to care for the characters and fair enough, but this is a situation where likeability would not have been as realistic.u003cbr/u003eu003cbr/u003eLyle Bettger is however a complete blank and lacks any kind of charisma or intensity in my opinion. The dialogue can get overwrought and soapy.u003cbr/u003eu003cbr/u003eDid find the final quarter too heavy on the melodrama and really do have to agree with everybody that has panned the very jarring and tacked on ending that absolutely reeks of studio interference.u003cbr/u003eu003cbr/u003eSumming up, good enough but not great. 7/10”