Die Ehe der Maria Braun (1979)

Die Ehe der Maria Braun: Directed by Rainer Werner Fassbinder. With Hanna Schygulla, Klaus Löwitsch, Ivan Desny, Gisela Uhlen. Maria marries Hermann Braun in the last days of World War II, only for him to go missing in the war. Alone, Maria puts to use her beauty and ambition in order to find prosperity during Germany’s “economic miracle” of the 1950s.

“A woman uses every means possible to survive hardship in post-war West Germany. In doing so she becomes financially successful but loses her soul in the process.u003cbr/u003eu003cbr/u003eThe Marriage of Maria Braun is a film that operates on two different levels. On the one hand in can be seen as a look at one womanu0026#39;s struggle against adversity in the hardships of the post war years. While on another, the film can clearly be read as a critique of the way the new Germany forgot itu0026#39;s awful past and sold itu0026#39;s soul in order to prosper in what would become known as the German Economic Miracle. This latter reading can be determined by reading the main narrative as an allegory in which Maria Braun represents the new Germany. She begins by prostituting herself to the Americans and ends very wealthy but emotionally dead; she forgets her past quickly in order to concentrate on her future.u003cbr/u003eu003cbr/u003eThere is no doubt that Rainer Werner Fassbinder put together a clever allegorical film here. And there is also no doubt that Hanna Schygula is very good in the lead role. But I did have difficulty with empathising with the people in this story, as none of them were particularly likable. Perhaps that was the point of course. But, whatever the case, the film left me cold unfortunately.”