Außergewöhnliche Geschichten (1968)

Außergewöhnliche Geschichten: Directed by Federico Fellini, Louis Malle, Roger Vadim. With Brigitte Bardot, Alain Delon, Jane Fonda, Terence Stamp. Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil.

“Call me deprived. This was my introduction to the films of Federico Fellini, way back when. But it was perfect, it was short enough and contained just enough to leave me wanting to see more.u003cbr/u003eu003cbr/u003enThe section is, of course, the u0026quot;Toby Dammitu0026quot; segment and, to me, was just so far ahead of itu0026#39;s time. Maybe it was just ahead of MY time and I had to age a little more to u0026quot;getu0026quot; more of it. I donu0026#39;t know, I just know that as I get older and, unfortunately, more cynical, the segment makes more and more sense to me. Well, as much sense as it ever will have anyway, letu0026#39;s not forget who we are talking about here.u003cbr/u003eu003cbr/u003enSince it is my favorite segment and the only one I usually fast-forward to when watching the video, I will confine my comments to it alone. It concerns a celebrity deep in crisis who is invited to Rome to participate in an awards show. While there he is courted to appear in a movie and is given a Ferrari as part of his compensation. The segment is harrowing and nightmarish, a waking dream as only Fellini could have presented. You see people walking backwards, nuns, paparazzi, mannequins, people with paper masks, spectacularly lit roadside glass shops, gypsy fortune tellers, floating balls, a devilish girl in a white wig and dress looking very kabuki-esque, meat trucks and on and on. Get it? I donu0026#39;t, but itu0026#39;s a trip, man. u003cbr/u003eu003cbr/u003eLike a dream, it is multi-layered and impossible to fully understand. I am certain that Fellini himself would be hard-pressed to explain every image. I am sure some were quite improvisational, occuring based more on what came up that day of shooting rather than planned out precisely.u003cbr/u003eu003cbr/u003eAllow itu0026#39;s images to flow without getting bogged down in what this or that means when you first see it. You can always rewind the tape and try and take it apart scene by scene later if you are so inclined. Treat it as a celluloid dream / nightmare and you will probably be closest to the truth here.u003cbr/u003eu003cbr/u003eRecommended to those who are new to Fellini, its a great introduction. You will be either drawn or repelled.”