Cadillac Records (2008)

Cadillac Records: Directed by Darnell Martin. With Josh Alscher, Tim Bellow, Tony Bentley, Tammy Blanchard. Chronicles the rise of Chess Records and its recording artists.

“It is interesting so many people have commented on the historical inaccuracies of the film and condemn the film because of this. No one said it was a historical film? It is an excellent film, and I would consider it a lot more than just popcorn entertainment…it has the *flavor* of history. And what is this about looking for historical details in the film? The film maker made a great film with a storyline built around music. We donu0026#39;t get to see such films which modify facts to suit the narrative and their budget. It made for great, entertaining viewing….One of the things that I have difficulty understanding is when some people either want facts or the book a film is based on to drive a feature film. Unless itu0026#39;s a documentary I donu0026#39;t think the filmmaker is obligated to base the film as such so long as the film openly declares that it is based on facts or book…i.e. it is not claiming to be factual but simply derives itu0026#39;s basic storyline from either as the case may be…beyond that the film has artistic license to adapt the historical or fictional narrative for the film. But if a film faithfully represents history or a particular book, that is welcome too.u003cbr/u003eu003cbr/u003eCadillac Records was focused on Chess Records and some of itu0026#39;s principal artistes. Who cares if there was a second brother or that there were other artistes….the film maker told a fictional interpretation of the facts and made it a thoroughly enjoyable film. We learn to care for the characters and get to experience their struggles, frustrations, relationships, foibles and talents etc.u003cbr/u003eu003cbr/u003eConsider this too u0026quot;fact junkiesu0026quot; – how many movies out there make for a good story to an audience who is NOT into a particular genre of music or art form, and yet gives them some inkling that a particular topic was loosely based on facts or a book. Whether or not everyone who saw the film came away convinced of itu0026#39;s historical inaccuracies, I am confident that those who did not care about such inaccuracies or even the blues, they certainly came away with a better perspective of a small aspect of the history of the blues (and some aspect of rock music) as well as a record company owner who supported and helped some musicians to become big names in the business. Such a segment of the audience would be unlikely to go see a documentary on the history of the blues. The film introduced the blues by making them accessible to an audience segment who otherwise would have been in the dark.u003cbr/u003eu003cbr/u003eGetting down to the film, ALL actors portray their characters very well. I thought Eamonn (sp?) Walker and Beyonce playing Howling Wolf and Etta James respectively were quite simply amazing. Beyonce especially. Both their performances were riveting. I refer to them specifically because they had relatively smaller parts compared to Adrien Brody and Jeffery Wright, who did a fantastic job as well. If you see films to enjoy a good story…you have one here in spades. And it is sad that the movie did not get to play in theatres as long as it ought to have. This is a loss for film viewers as much as it is for the filmmakers who made it. But I know this movie is getting more play on DVD because word-of-mouth is getting around. Highly recommended.”