Die Verführung (1976)
44KDie Verführung: Directed by Max Baer Jr.. With Robby Benson, Glynnis O’Connor, Joan Hotchkis, Sandy McPeak. In 1950s Mississippi, teenager Bobbie Lee Hartley navigates her blossoming hormones as she is courted by Billy Joe McAllister, who is headed for tragedy.
“If this film had been directed by Truffaut or Bergman it would have swept Cannes. The fact that many viewers find it almost impossible to understand is testimony to the filmu0026#39;s authenticity. As a life-long Southerner I feel compelled to state that anyone from the South over the age of 35 either knows or is one of these characters. The time period represented is one which lives in the memories of those alive today. Mississippi is particularly well drawn. I lived in Mississippi for four years and this film captures that distinct Mississippi flavor of charm,vindictiveness,religious observance,and sin. The bridge scene is what Southern pride and u0026quot;rednecku0026quot; are all about. Daddy just WONu0026#39;T back up. One of the main themes of Southern art is the fact that many of the characters are so far from introspection and so close to instinctive, impulsive, animalistic behavior. When someone is u0026quot;differentu0026quot; tragedy and/or myth tends to happen. Tennessee Williams mined that vein. Like the characters in this film, his people often dimly understood that they needed to either leave home or accept self-revelation in the confines of their environment. Most couldnu0026#39;t do either. The result is usually some sort of denial,death, or sacrifice. Great films/novels/short stories about the South have a sense of yearning and fatalism which I find very honest and moving. If you are into Russian literature, you are probably into Southern literature too! My thanks to Max for this beautiful film.”
