Fighting (2009)

Fighting: Directed by Dito Montiel. With Channing Tatum, Terrence Howard, Zulay Henao, Michael Rivera. In New York City, a young counterfeiter is introduced to the world of underground street fighting by a seasoned scam artist, who becomes his manager on the bare-knuckling brawling circuit.

“Dito Montielu0026#39;s film has been advertised as the u0026#39;Rocky of our generationu0026#39;, however I do believe they were referring to the fifth film in the Rocky franchise. Predictable, boring, tedious, lifeless are just a few words I could use to describe this film, but I really only need to use one; terrible.u003cbr/u003eu003cbr/u003eShawn MacArthur (Channing Tatum) is your typical working-class boy who is taken under the wing of an ageing con-man named Harvey (Terrence Howard) and given the opportunity to make his American dream come true by participating in various back-room bare-knuckle fights. Oh, and the stereotypical love-interest in the form Zulay (Zulay Henao) is also thrown into the mix. Now, despite this description describing various films from the last few years (never mind the last few decades), it contains three huge, jaw-shattering constraints: 1) Despite being named Fighting, the film ironically contains very little fighting or brawling in regards to its hundred-minute running time. And when we do get to see some face-bruising action, the Director seems to get incredibly giddy with the camera and what we are left with is some Paul Greengrass jerkiness that allows you to observe very little especially when the camera is thrown into the heart of the action.u003cbr/u003eu003cbr/u003e2) Terrence Howard puts a little effort into his character and drags out a performance worthy of a film better than this, however Channing Tatum does not follow his lead. His stony expression and Brando-style mumbling is just plain annoying and unconvincing, yet he is the lead protagonist at the forefront of the film, and his performance drags the film down considerably.u003cbr/u003eu003cbr/u003e3) Finally, Munic and Montielu0026#39;s script has about as much weight as a feather and as punch as a fighter out-cold on the mat. We learn little about the characters until late into the film when there life stories seem to just be thrown around quickly to fill various plot-holes. While, the majority of the dialogue is just clichéd and cringe-worthy, most notably a scene at the end of the film that precedes the final fight sequence, which can only be described as hilariously idiotic.u003cbr/u003eu003cbr/u003eFighting is crime against cinema. It is a film which gives the audience absolutely nothing, yet takes from them their hard-earned cash in the form of their admittance fee. The only reason I can think why this film was distributed to theatres instead of being a straight-to-DVD affair, is down to the influence of having a star like Terrence Howard in the picture. Donu0026#39;t waste your time or money on this abomination.”