Todes-Brigade (1985)

Todes-Brigade: Directed by Max Pécas. With Thierry de Carbonnières, Jean-Marc Maurel, Lillemour Jonsson, Bernard Rosselli. When the investigation on a prostitute murder by the Paris vice department derails, one cop will stop at nothing for revenge.

“Finally seeing this film was a revelation for me, and I will keep my review brief so as not to detract from other buffsu0026#39; discovery of its contents. Suffice it to say that this is one of the most successful attempts to combine over-the-top violent elements within a softcore sex film while actually making a real movie.u003cbr/u003eu003cbr/u003eI have seen nearly all of Pecasu0026#39;s groundbreaking pictures from the u0026#39;60s and early u0026#39;70s and salute him as a pioneer of that borderline movie that was both art film and sex film (imported on the art theater circuit such as our famous Heights Art Theater in Cleveland Heights, Ohio). Attending the Cannes Film Festival in 1986 I even had the opportunity to watch his action movie Deux enfoirés à Saint-Tropez, playing at a local cinema.u003cbr/u003eu003cbr/u003eBut none of these prepared me for BRIGADE. On the surface a routine gritty cop thriller, its integration of ultra-violence into the proceedings is unprecedented.u003cbr/u003eu003cbr/u003eThe only film that came to mind was Lee Frostu0026#39;s notorious A CLIMAX OF BLUE POWER, but that movie is hardcore porn, while Pecas stays strictly within softcore guidelines. Similarly, the deviant u0026#39;80s cinema of Phil Prince is hardcore porn also injecting violence. Nowadays pornographers avoid injecting violence into sex films due to fear of censorship.u003cbr/u003eu003cbr/u003eFilm opens with a familiar night scene of street hookers, de rigeur in countless French and Italian urban action pics, but soon weu0026#39;re in the morgue gazing at the corpses of several fully nude trannies. I began to wonder, given the evolution of TV from its squeaky clean 1950s shows to todayu0026#39;s array of grisly police procedurals, if such a visual would ever be shown here (though American HORROR STORY seems poised to cross over the line soon).u003cbr/u003eu003cbr/u003eHero Jean-Marc Maurelu0026#39;s adventures on the vice squad solving a routine crime case are marked by scenes of violent dread that I found far more disturbing than the typical gorefest, because they were realistically staged and very well acted, rather than relying upon outlandish makeup or other special effects. In particular, there are two scenes of heroines being tortured that might even disturb Lee Frost at his most indulgent.u003cbr/u003eu003cbr/u003eI look forward to a theatrical revival of this forgotten opus (Anthology Film Archives here in a Manhattan would be a perfect venue). Not a great film, but clearly worth hunting down as a one-of-a-kind movie.”