Das Bildnis des Dorian Gray (1945)

Das Bildnis des Dorian Gray: Directed by Albert Lewin. With George Sanders, Hurd Hatfield, Donna Reed, Angela Lansbury. A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

“Based on a story by Oscar Wilde, The Picture of Dorian Gray tells the story of a man that sells his soul for eternal youth. After having his portrait done, Dorian Gray, under the influence of the eloquent Lord Henry Wotton, wishes for the picture to age instead of him so that he may be blessed with eternal youth. After the death of his wife-to-be, Dorian embarks on a life of pleasure and sins, which donu0026#39;t affect the man in the slightest, but leaves it mark on the portrait which descends into a horrid impression of the handsome young man itu0026#39;s portraying…u003cbr/u003eu003cbr/u003eThis film is fantastically well put together. The acting, directing and writing are all stellar, which make this film one pleasant viewing indeed. The real plaudits for this movie, however, go to the writer of the original novel; Oscar Wilde. The story itself is ingenious. Of course, the idea of selling oneu0026#39;s soul had been done before (the German legend, Faust, springs to mind instantly), but never in this way. The portrait itself is a genius idea and it allows us to see the man and the sin as different things. However, through itu0026#39;s ending; it also allows the audience to see that the two are linked, and overall giving a good commentary on body, soul and sin. The story has obvious themes of vanity and the lust for eternal youth entwined within it, both of which are sins in themselves. The main character of Dorian Gray is a man that is a victim of influence, and we can feel for him in that way; but heu0026#39;s also an ugly sinner on the inside, making the audience hate him. This is a strange situation for an audience to be in, and in the end; all thatu0026#39;s left for him is indifference.u003cbr/u003eu003cbr/u003eThe film moves slowly, but this is definitely to itu0026#39;s advantage as it allows us to get to know the characters, and if it wasnu0026#39;t for that the horror wouldnu0026#39;t be able to work as it needs our emotional impact to function. The horror in the story is rather subdued, but this is one of the most horrific tales ever told. I think most people will agree that this kind of horror – the brooding, personal kind – is much more horrifying than anything that men with knives and any amount of jumpy moments can muster.”