Rush: Alles für den Sieg (2013)

Rush: Alles für den Sieg: Directed by Ron Howard. With Chris Hemsworth, Daniel Brühl, Olivia Wilde, Alexandra Maria Lara. The merciless 1970s rivalry between Formula One rivals James Hunt and Niki Lauda.

“The film is just over 2 hours long, but when it was over it seemed like I had been in the cinema about 30 minutes. u003cbr/u003eu003cbr/u003eThe film centres on the battle for the 1976 Formula 1 World Championship, and the rivalry between the Austrian u0026quot;professoru0026quot; Nikki Lauda and the British playboy James Hunt. u003cbr/u003eu003cbr/u003eThe two are depicted as enemies, but in actual fact they were good friends who trusted and respected each other on, as well as off-track. This bit of artistic licence does not spoil the film and is reasonable in order to make the battle between the two for the F1 crown more intense. u003cbr/u003eu003cbr/u003eThe film is nicely paced. We are introduced to both characters through their own narrative and scenes that leave the watcher in no doubt as to their background and philosophy on life. u003cbr/u003eu003cbr/u003eThe two are first seen in competition in 1970 at a Formula 3 race at Crystal Palace (where they have a coming together) and sets the scene for the rivalry throughout the film. Iu0026#39;m not sure if this is further artistic licence. The two definitely did race each other in F3, but I am not convinced as to whether this actual incident occurred. u003cbr/u003eu003cbr/u003eAfter that we are given a whistle stop journey between 1973 (when Hunt came into F1) to 1975. We are shown the dangerous nature of F1 at the time with the Francois Cevert accident at Watkins Glen in gory detail – although this does not seem like gratuitous, but necessary to bring home just how unforgiving the sport was back then – and it truly was (of the top 12 points scorers in 1976, F1 cars were to claim 3, 1 ended up in a wheelchair and 1 had his career ended by a leg crunching crash). u003cbr/u003eu003cbr/u003eWe are then taken to 1976 and that titanic struggle for the World Crown. Only one real issue here – the British Grand Prix result, but I suspect this was simplified in the interests of time. u003cbr/u003eu003cbr/u003eThe casting is superb. Chris Hemsworth, an Aussie, does an excellent job on public schoolboy James Hunt, while Daniel Bruhl both sounds and looks frighteningly like the Austrian. There is little room for a supporting cast amongst the drivers which is a shame – only Clay Regazzoni has a part of any real substance. Peterson, Watson, Depailler, Scheckter, Andretti et al could have featured a little more I think. What did their contemporaries think of the two protagonists? The supporting cast is mainly required for Hunt – Lord Hesketh, u0026quot;Bubblesu0026quot; Horsley and Teddy Mayer / Tyler Alexander of McLaren, while the Ferrari team principals are rarely seen. u003cbr/u003eu003cbr/u003eThe love angle is perfectly catered for by Olivia Wilde (Huntu0026#39;s first wife Suzy) and the gorgeous Alexandra Maria Lara – of Downfall fame – as the future Marlene Lauda. Both give quality performances. u003cbr/u003eu003cbr/u003eThe attention to detail is superb. Although the tracks are not the actual ones (for understandable reasons) the cars, the helmets, the sponsors are all authentic. The film u0026quot;feelsu0026quot; like itu0026#39;s happening in the 70u0026#39;s. u003cbr/u003eu003cbr/u003eFor anyone interested in great personal stories, F1, the 70u0026#39;s, cars or just like to see a great film, then Rush is for you.”